The Kennedy Center

Julie Gunn


Julie Gunn is a pianist, educator, and music director. She has performed on many of North America’s most prestigious recital series, including those of the Aspen Festival, Boston’s Celebrity Series, the Carnegie Hall Pure Voice Series, the Cincinnati Chamber Music Society, the Cliburn Foundation, the Dallas Opera, the Krannert Center for the Performing Arts, Lincoln Center Great Performers, Manhattan’s Café Carlyle, the Metropolitan Opera Summerstage, Notre Dame’s DeBartolo Center, the Ravinia Festival, St. Paul’s Schubert Club, San Francisco Performances, the Sydney Opera House, Toronto’s Roy Thomson Hall, university of Chicago Presents, Washington’s Vocal Arts Society, the 92nd Street Y, and the united States Supreme Court. She has been heard in recital with William Burden, Richard Croft, Elizabeth Futral, Isabel Leonard, Stefan Milenkovich, Kelli O’Hara, Mandy Patinkin, Yvonne Gonzales Redman, Michelle De Young, the Pacifica and Jupiter Quartets, and her husband and artistic partner Nathan Gunn. In the upcoming season she looks forward to recitals and cabarets at the Interlochen Center for the Performing Arts, the DeBartolo Center, Vanderbilt university, Thomasville, GA, Western Michigan university, the McCallum Theater for the Performing Arts, and the Wallis Annenberg Center in Beverly Hills.
Director of Lyric Theatre Studies at the university of Illinois, she produces three mainstage operas or musical theatre works a year at the Krannert Center for the Performing Arts. A faculty member at the School of Music, she enjoys teaching singers, pianists, chamber musicians, and songwriters and conducting new works and musical theatre. She has given master classes at universities and young artists’ programs all over the united States, including the Aspen Festival, the Cincinnati Conservatory of Music, the Houston Grand Opera Studio, the Interlochen Center for the Arts, the Metropolitan Opera Guild, Opera Theatre St. Louis, the Ryan Young Artists’ Program, the Santa Fe Opera, and Ravinia's Steans Institute. She enjoyed tenures as artist-in-residence at Cincinnati Opera and The Glimmerglass Festival. She is the founder of the Illinois School of Music Academy, a program for talented pre-college chamber musicians and composers.
Gunn enjoys working at the intersection of different disciplines and collaborates with artists in the fields of theatre, dance, and design whenever possible. She has served as a coach or conductor at Chicago Opera Theater, Highlands Opera Studio, the Metropolitan Opera Young Artist Program, Opera North, Opera Theater St. Louis, Southern Methodist university, Theaterworks!, and Wolf Trap Opera. She is committed to new works and in recent seasons has been part of several world premieres, as a co-producer, a pianist, or as a conductor: Twilight Butterfly (Thomas), Dooryard Bloom (Higdon), Polly Peachum (Scheer/Van Horn), Variations on a Summer’s Day (Meltzer), Letters from Quebec to Providence in the Rain (Gill), and Bhutto (Fairouz). She works with Beth Morrison Projects and American Opera Projects to produce workshops and academic premieres of new operas.
A member of ASCAP, she is the author of many arrangements of songs for chamber groups and orchestras. Her arrangements have been heard at Carnegie Hall, Chicago’s Symphony Center, the DeBartolo Center, Ithaca College, Interlochen, the Kennedy Center, the Krannert Center, London Queen Elizabeth Hall, and in Sun Valley, Idaho.
Julie Gunn