In addition to music, photography and design are hallmarks of Blue Note Records' storied 75-year history. The Goethe-Institut hosts this photo exhibition opening with music by pianist Jason Moran. This event is NOT at the Kennedy Center.
This event is NOT taking place at the Kennedy Center
NOTE: This event does NOT take place at the Kennedy Center
Exhibit: Search for a New Sound: The Blue Note Photographs of Francis Wolff Goethe-Institut 812 7th Street, NW Washington, DC Opening Reception - Saturday, May 3, 2014, 6-8 p.m. Exhibit Dates: May 3 - July 3, 2014 Mondays-Thursdays, 9 a.m.-5 p.m.; Fridays, 9 a.m.-3 p.m.
In addition to music, photography and design are hallmarks of Blue Note Records' storied 75-year history. Search for a New Sound. The Blue Note Photographs of Francis Wolff, an exhibition of Francis (Frank) Wolff's images--many of which were incorporated into Blue Note Records' most recognizable album covers designed by Reid Miles--opens for two months with a reception including music by pianist and Blue Note Records artist, Jason Moran, the Kennedy Center's Artistic Advisor for Jazz. Curated by Michael Cuscuna and Thomas Evered and organized in collaboration with the German Historical Institute, the exhibition runs through July 3 (Mon.–Thu., 9 a.m.–5 p.m.; Fri., 9 a.m.–3 p.m.).
This event is FREE. To register or for more information, visit the Goethe-Institut websiteor call (202) 289-1200. This event, produced by the Goethe-Institut and German Historical Institute, is officially recognized as part of the Kennedy CenterBlue Note at 75celebration.
Blue Note Records celebrates its 75th anniversary in 2014. Its roots lie in Berlin, where Alfred Lion, a teenager in the thrall of swing music, met Francis (Frank) Wolff, a young photographer with similar musical interests, in 1924. Their mutual love of American jazz fed a strong friendship. Both men moved to New York in the 1930s, where Blue Note Records was born in 1939.
Through Blue Note Records, Lion and Wolff helped shape the world's musical, social and cultural direction from the mid- to the late-twentieth century. Today, a new generation of jazz aficionados has rediscovered Blue Note, with many of Lion's vintage recordings enjoying recent reissues. As Herbie Hancock recalled on learning of Alfred's death: "He was a German, from the old school, who had a gift, a real insight into the qualities that the great black artists of his day were exhibiting. The world of music won't be the same without him--I don't suppose we'll ever see his like again."
As Lion's behind-the-scenes partner, Francis Wolff is best known for his iconic candid photographs of Blue Note musicians, usually captured during recording sessions. Wolff's sensitive and evocative images were significant to Blue Note's marketing strategy, creating a branded identity of jazz as hip and cool. The use of Wolff's photos as album cover graphics also broke through a racially stereotyped portrayal of the African American jazz musician that had predominated the media during the first half of the twentieth century.
The images in the exhibition, curated by Michael Cuscuna and Tom Evered, are from what is acknowledged as Blue Note's golden years of jazz recording. No other jazz label combined such inspired and impeccable musicianship with such distinctive photography and cover design. Francis Wolff's photographs capture the instant of creative inspiration of some jazz music's great geniuses.