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American Ballet Theatre (2015) (Scene from Cinderella; Photo by Rosalie O'Connor)

American Ballet Theatre

American Ballet Theatre returns for its annual engagement with Ashton's romantic Cinderella and a program featuring Balanchine's Theme & Variations, Tudor's Pillar of Fire, and de Mille's Rodeo.

  • Mar. 24 - 29, 2015
  • Opera House
  • Running Time: TBA
  • $25.00 - $109.00

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Tickets went on sale November 24, 2014 to Kennedy Center Members
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Tickets went on sale December 3, 2014 to the public
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American Ballet Theatre
Kevin McKenzie, Artistic Director
with the Kennedy Center Opera House Orchestra
March 26–29
Choreography by Frederick Ashton
Music by Sergei Prokofiev
Sets and Costumes by David Walker
March 24 & 25
Theme and Variations
Pillar of Fire
(Copland/de Mille)
"A victory for American dance"
--San Francisco Chronicle
"One of the world's great classical troupes"
--The New York Times
American Ballet Theatre, recognized as America's National Ballet Company(r), celebrates its 75th Anniversary of bringing the greatest dance to America and American dance to the world. A Washington favorite and a company that has performed here every year since the Center's opening in 1971, ABT returns with Frederick Ashton's exquisitely romantic and magical Cinderella. Loosely following the traditional fairy tale, the story begins with Cinderella's solo in the kitchen as she dreams of one day becoming a ballerina. The dream is realized when she steps into the Grand Ballroom of the Prince's castle. At the end of the ball, she takes her place back in the kitchen; it is there that she recalls the "glass slippers," which in Ashton's ballet are replaced by pointe shoes.
The Company will also dance a program of repertory works. Created in 1947 by Balanchine, Theme and Variations is set to the final movement of Tchaikovsky's Suite No. 3 for Orchestra. The piece, which made stars of Alicia Alonso and Igor Youskevitch, is a plotless ballet intended to, as Balanchine once wrote, "evoke that great period in classical dancing when Russian ballet flourished."
Antony Tudor's very first American project after arriving from London, Pillar of Fire debuted in 1942. Filled with passion and anguish, the story follows Hagar, an unmarried woman impregnated by a man she does not love. Ostracized by her community, she despairs at finding happiness until her one true love offers her acceptance and forgiveness.

Rodeo, subtitled "The Courting at Burnt Ranch," is a love story of the American Southwest, created in 1942 by Agnes de Mille to a score by Aaron Copland. The problem it deals with is perennial: how an American girl, with the odds seemingly all against her, sets out to get herself a man. The girl in this case is a cowgirl, a tomboy whose desperate efforts to become one of the ranch's cowhands create a problem for the cowboys and make her the laughingstock of womankind.



Watch and Listen

Agnes de Mille’s “Rodeo”

Dancer Frederic Franklin, who starred as the Champion Roper opposite Agnes de Mille as the Cowgirl in the original 1942 production, talks about the development of “Rodeo.”

All events and artists subject to change without prior notice.

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