NSO Kinderclassics: Musical Opposites
The Kennedy String Quartet demonstrates many types of musical contrasts and shows how composers use opposites to express a stunning variety of musical moods and emotions. Age 4+
- Sat., Nov. 1, 2014
- Family Theater
- 50 minutes
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Back by popular demand! Sometimes you're left with two puzzle pieces that just don't seem to fit. But then with a little squinting and a lot of imagination, you find that they go together perfectly! The Kennedy String Quartet (violinists Holly Hamilton and Jane Bowyer Stewart, violist James Deighan, cellist David Teie) demonstrates many types of musical contrasts that work together, from the technical to the emotional. The four NSO musicians engage the audience as they explore such simple musical building blocks as high and low, loud and soft, fast and slow, arco and pizzicato. Then, playing excerpts by string quartet masters Haydn, Beethoven, Mendelssohn, Tchaikovsky, and Shostakovich, the quartet shows how composers use opposites to express a stunning variety of musical moods and emotions. For age 4 and up.
Performance Timing: 50 minutes, with no intermission
Come early for the Musical Instrument "Petting Zoo." Starting one hour before each Kinderkonzert, this hands-on activity in the Kennedy Center Hall of States gives children a chance to get up close with the instruments they'll see played on stage--from violins and trumpets to oboes and flutes. A project of the Women's Committee for the NSO.
David and Alice Rubenstein are the Presenting Underwriters of the NSO.
Performances for Young Audiences is made possible by
Additional support for Kinderclassics is provided by The Clark Charitable Foundation;
The Morris and Gwendolyn Cafritz Foundation; Park Foundation, Inc.; Paul M. Angell Family Foundation;
and the U.S. Department of Education.
Major support for educational programs at the Kennedy Center is provided by
David and Alice Rubenstein through the Rubenstein Arts Access Program.
Education and related artistic programs are made possible through the generosity of the
National Committee for the Performing Arts and the President’s Advisory Committee on the Arts.