Craig Wallace
Craig Wallace’s D.C. credits include Roundhouse Theatre: Permanent Collection, Tabletop, The Little Prince; Folger Theatre: Much Ado About Nothing, Othello in Othello, As You Like It, Twelfth Night, Romeo and Juliet, and Measure for Measure; The Shakespeare Theatre Company: Numerous productions including The Marlowe, Roman Reps, and Romeo and Juliet; Ford’s Theatre: Jitney and Sabrina Fair; Arena Stage: K2, All My Sons, The Great White Hope, and HotnThrobbing; Signature Theatre: Angels in America, Parts 1 & 2 (Helen Hayes Award nomination for Part 2); Woolly Mammoth Theatre Company: The Last Orbit of Billy Mars, Tommy J & Sally, Our Lady of 121st Street, and Starving; Everyman Theatre: Cherry Orchard, The Soul Collector (world premiere). Craig has worked at several theaters across the country, including Shakepeare Theatre of New Jersey, Actor’s Theatre of Louisville, and Shakespeare Santa Cruz. He received training from Howard University, B.
Craig Wallace’s D.C. credits include Roundhouse Theatre: Permanent Collection, Tabletop, The Little Prince; Folger Theatre: Much Ado About Nothing, Othello in Othello, As You Like It, Twelfth Night, Romeo and Juliet, and Measure for Measure; The Shakespeare Theatre Company: Numerous productions including The Marlowe, Roman Reps, and Romeo and Juliet; Ford’s Theatre: Jitney and Sabrina Fair; Arena Stage: K2, All My Sons, The Great White Hope, and HotnThrobbing; Signature Theatre: Angels in America, Parts 1 & 2 (Helen Hayes Award nomination for Part 2); Woolly Mammoth Theatre Company: The Last Orbit of Billy Mars, Tommy J & Sally, Our Lady of 121st Street, and Starving; Everyman Theatre: Cherry Orchard, The Soul Collector (world premiere). Craig has worked at several theaters across the country, including Shakepeare Theatre of New Jersey, Actor’s Theatre of Louisville, and Shakespeare Santa Cruz. He received training from Howard University, B.F.A.; The Pennsylvania State University, M.F.A.; and Royal National Theatre, London. For Kim and Storm.
