Mark Lamos
Mark Lamos's Broadway credits include Our Country's Good
(Tony® nomination), The Deep Blue Sea, and The Gershwins'
Fascinating Rhythm. Off-Broadway, his credits include Jon Robin
Baitz's The End of the Day, Edward Albee's Tiny Alice (Lortel
Award), Love's Fire (NYSF and London's Barbican), Lee Blessing's
Thief River, and Lincoln Center Theatre's Measure for Measure
(Lortel Award). His work has also been seen at The Shakespeare
Theatre in Washington, D.C. including A Midsummer Night's Dream
and Much Ado About Nothing.
Mark Lamos's Broadway credits include Our Country's Good
(Tony® nomination), The Deep Blue Sea, and The Gershwins'
Fascinating Rhythm. Off-Broadway, his credits include Jon Robin
Baitz's The End of the Day, Edward Albee's Tiny Alice (Lortel
Award), Love's Fire (NYSF and London's Barbican), Lee Blessing's
Thief River, and Lincoln Center Theatre's Measure for Measure
(Lortel Award). His work has also been seen at The Shakespeare
Theatre in Washington, D.C. including A Midsummer Night's Dream
and Much Ado About Nothing. Other highlights include The
Greeks—a nine-play cycle, Ibsen's complete Peer Gynt
(with Richard Thomas), The Master Builder, Ghosts,
Hedda Gabler, a cycle of Molière comedies, as well as
new plays and adaptations by Simon Gray, Tony Kushner ( The Dybbuk
), Lanford Wilson (an adaptation of Chekhov's Three Sisters
), Constance Congdon, Tom Stoppard, and many others. Regionally,
his work has been seen at McCarter Theatre, La Jolla Playhouse, Old
Globe, Guthrie Theater, Arizona Theatre, California Shakespearean
Festival, The Acting Company, American Conservatory Theater, Yale
Repertory Theatre, and Williamstown Theatre Festival. Mr. Lamos served
as artistic director of Hartford Stage from 1980 to 1997. Upcoming
productions include Resurrection Blues at the Old Globe and
Big Bill at Lincoln Center.
