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Betty Carter's Jazz Ahead

Past Performances

April 3, 2009

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The Kennedy Center’s Betty Carter’s Jazz Ahead program has launched the careers of artists such as Cyrus Chestnut and Jason Moran. See the next jazz greats in an ensemble performance.

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April 2, 2009

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The Kennedy Center’s Betty Carter’s Jazz Ahead program has launched the careers of artists such as Cyrus Chestnut and Jason Moran. See the next jazz greats in an ensemble performance.

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April 1, 2009

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The Kennedy Center’s Betty Carter’s Jazz Ahead program has launched the careers of artists such as Cyrus Chestnut and Jason Moran. See the next jazz greats in an ensemble performance.

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March 28, 2008

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Various ensembles made up of competitively selected, emerging jazz artists complete their weeklong residency with a free concert.

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March 27, 2008

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Various ensembles made up of competitively selected, emerging jazz artists complete their weeklong residency with a free concert.

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March 26, 2008

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Various ensembles made up of competitively selected, emerging jazz artists complete their weeklong residency with a free concert.

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March 20, 2008

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Betty Carter’s Jazz Ahead Alumni Quartet, made up of class of 2007 participants—including saxophonist Alex Lopez, bassist Nathan Goheen, pianist Gideon Van Gelder, and drummer Martin Urbach—groove to original jazz works.

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April 13, 2007

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Various ensembles made up of competitively selected, emerging jazz artists complete their weeklong residency with a free concert. Betty Carter’s Jazz Ahead is celebrating its 10th anniversary.


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April 12, 2007

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Various ensembles made up of competitively selected, emerging jazz artists complete their weeklong residency with a free concert. Betty Carter’s Jazz Ahead is celebrating its 10th anniversary.

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April 11, 2007

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Various ensembles made up of competitively selected, emerging jazz artists complete their weeklong residency with a free concert. Betty Carter’s Jazz Ahead is celebrating its 10th anniversary.

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April 1, 2005

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Betty Carter’s Jazz Ahead: Various ensembles made up of competitively selected, emerging jazz artists complete their weeklong residency with a free concert.

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March 31, 2005

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Betty Carter’s Jazz Ahead: Various ensembles made up of competitively selected, emerging jazz artists complete their weeklong residency with a free concert.

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March 30, 2005

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Betty Carter’s Jazz Ahead: Various ensembles made up of competitively selected, emerging jazz artists complete their weeklong residency with a free concert.

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April 16, 2004

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Betty Carter’s Jazz Ahead: Various ensembles made up of competitively selected, emerging jazz artists complete their week-long residency with a free concert.

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April 15, 2004

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Betty Carter’s Jazz Ahead: Various ensembles made up of competitively selected, emerging jazz artists complete their week-long residency with a free concert.
THIS PERFORMANCE IS NOT YET AVAILABLE DUE TO AUDIO DIFFICULTIES

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April 14, 2004

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Betty Carter’s Jazz Ahead: Various ensembles made up of competitively selected, emerging jazz artists complete their week-long residency with a free concert.

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March 28, 2003

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Betty Carter’s Jazz Ahead A big band and various ensembles made up of competitively selected, emerging jazz artists complete their week-long residency with a free concert.

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March 27, 2003

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Betty Carter’s Jazz Ahead A big band and various ensembles made up of competitively selected, emerging jazz artists complete their week-long residency with a free concert.

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April 5, 2002

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A big band and various ensembles made up of competitively selected, emerging jazz artists complete their week-long residency with a free concert. BETTY CARTER’S JAZZ AHEAD

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April 4, 2002

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A big band and various ensembles made up of competitively selected, emerging jazz artists complete their week-long residency with a free concert. BETTY CARTER’S JAZZ AHEAD

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April 20, 2001

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Betty Carter's Jazz Ahead features performers who have worked with such established jazz musiciansas: Nathan Davis, saxophonist (residency leader); Carmen Lundy, vocalist; George Cables, pianist; Bob Magnusson, bassist; and Winard Harper, drummer.

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April 19, 2001

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Betty Carter's Jazz Ahead features performers who have worked with such established jazz musiciansas: Nathan Davis, saxophonist (residency leader); Carmen Lundy, vocalist; George Cables, pianist; Bob Magnusson, bassist; and Winard Harper, drummer.

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April 28, 2000

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Hear tomorrow's stars today in a jammin' celebratory performance by the Millennium graduates of "Betty CarterÆs Jazz Ahead," a residency program. Betty Carter's Jazz Ahead

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April 27, 2000

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Hear tomorrow's stars today in a jammin' celebratory performance by the Millennium graduates of "Betty CarterÆs Jazz Ahead," a residency program. Betty Carter's Jazz Ahead

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About the Artist

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Betty Carter's Jazz Ahead at the Kennedy Center identifies outstanding, emerging artists and brings them together under the tutelage of experienced artist-instructors who coach and counsel them, helping them to polish their performance, composing and arranging skills.The program was originally developed by Carter in 1993 at 651, an arts center in Brooklyn, and the first concert was presented at the BAM Majestic Theater. 

In 1997, the John F. Kennedy Center for the Performing Arts and Dr. Billy Taylor, the Center's artistic advisor for Jazz, invited Carter to bring Jazz Ahead to Washington. On April 15, 1998, a delighted audience in the Kennedy Center Concert Hall heard the results of Carter's intense week of work with a group of 20 young jazz artists. Betty Carter's Jazz Ahead had a new home and Carter was filled with hope for the future of the program. After Carter’s death in September 1998, Dr. Billy Taylor and the Kennedy Center decided to continue her legacy by making the Jazz Ahead program, with the principles Carter laid down as the foundation, an annual event. 

Betty Carter founded Jazz Ahead as a vehicle to bring new life into jazz and teach the most promising fledgling artists what she knew. About her decision to create the program, Carter once remarked, "It is a concern of mine that jazz in its classical sense stands a chance of being placed in the background of the musical spectrum. Regardless of the fact that jazz is considered one of the first of America's true musical statements, it cannot survive simply on reputation alone. Creativity and explosive musical minds built this music with the sweat of what inspired them. It isn't the lack of explosive talent that burdens us. We need to create a wider pool for young talent to emerge, to be seen, and to be heard, in order to help them create viable careers of their own."