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Shunzo Ohno

Past Performances

April 2, 2007

Photo of April 2, 2007 Performance
Founded in 1975 by director Fred Irby III, the Howard University Jazz Ensemble is recognized as one of the foremost college jazz ensembles and has performed at the 1992, 1996, and 2005 Kennedy Center Honors Gala. The ensemble is joined by Japanese jazz trumpeter Shunzo Ohno. In cooperation with the Japan Information and Culture Center, Embassy of Japan, and Amway Japan. Part of the Kennedy Center's Arts of Japan Celebration.

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April 1, 2006

Photo of April 1, 2006 Performance
Trumpeter Shunzu Ohno--who has played with the "who’s who" of the jazz world, including Art Blakey and the Jazz Messengers, Roy Haynes, Gil Evans, and Wayne Shorter--performs with the Howard University Jazz Ensemble.

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About the Artist

Photo of Shunzo Ohno

Considering the dramatic twists and turns in the life of jazz trumpeter, composer and arranger Shunzo Ohno, it is little wonder that the producers of the Japanese television show “Unbelievable” chose him as a subject.  He has reached exhilarating heights, experienced unexpected lows, overcame unbelievable odds, and has risen again to surpass even his own successes.
 
Born in Gifu, Japan, Shunzo began his musical training at age 13 on the trombone-the only instrument available in his school.  He didn’t begin playing the trumpet until age 17, partly inspired by the film “Boy With Trumpet.”  By age 19, Shunzo was the leading jazz trumpeter in Japan.
 
Already working as an accomplished composer and arranger in Japan, Shunzo’s career hit high gear when he met the renowned bandleader Art Blakey.  He toured with Blakey throughout the United States and settled in New York City in 1974 at Blakey’s suggestion.  During this period, Shunzo maintained a close friendship and working relationship with the bandleader while also working with Norman Connors, Roy Haynes and the Hip Ensemble while leading his own group.  His original composition “Bubbles” was featured on Connor’s million-selling recording, “You Are My Starship,” and became a hit single, attaining gold status.  Today, audiences continue to request this favorite tune.

The compelling Latin energy in Shunzo’s playing can be linked to his tenure with the celebrated Machito and his Afro-Cuban Orchestra, with whom he toured Europe and South America.  During his three-and-a-half years with Machito, Shunzo recorded the Grammy award-winning recording “Machito and His Salsa Big Band” (1983), which featured his dazzling solos.
 
Following his years with Machito’s band, Shunzo joined one of his most influential inspirations, master arranger and composer Gil Evans, becoming a key contributor on tours, club dates, and recordings, including the 1988 Grammy award-winning “Live at Sweet Basil’s.”  Shunzo made a total of four recordings with Evans, who remained a lifelong mentor to him.
 
In 1985, Shunzon returned to Japan with Super Sounds, a group that included jazz legends Herbie Hancock, Wayne Shorter and Larry Coryell.  He performed with Super Sounds for two years, conducting separate tours with his own group and giving numerous sold-out performances.  Later, in addition to recording with his mentors Shorter and Hancock, Shunzo joined Buster Williams’ group, notably, appearing at the 1st International Jazz Festival in Moscow and continued to tour with his own band.
 
In between these impressive collaborations and projects, Shunzo also guested on recordings by David Byrne (Rei Momo), David Matthews (Digital Love) and Onaje Allan Gumbs (Dare to Dream).
 
In 1988, he was involved in a serious automobile accident, in which his teeth and lips were permanently damaged.  Undeterred by the painful recovery process, Shunzo strengthened his resolve to find a new approach to his music and continue playing.