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The Washington Toho Koto Society

Past Performances

March 29, 2009

Photo of March 29, 2009 Performance
The Washington Toho Koto Society is dedicated to promoting an understanding and appreciation for the koto (zither), Japan’s national instrument. Part of the 2009 National Cherry Blossom Festival.

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April 6, 2007

Photo of April 6, 2007 Performance
Founded in 1971 by Kyoko Okamoto, this ensemble promotes the understanding and appreciation of Japanese koto music. Part of the Kennedy Center's Arts of Japan Celebration.

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April 3, 2006

Photo of April 3, 2006 Performance
Washington Toho Koto Society, founded in 1971 by Kyoko Okamoto, presents a repertoire ranging from early 17th-century koto music to contemporary compositions.

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March 27, 2005

Photo of March 27, 2005 Performance
Washington Toho Koto Society, founded in 1971 by Kyoko Okamoto, presents a repertoire ranging from early 17th-century koto music to contemporary compositions.

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April 4, 2004

Photo of April 4, 2004 Performance
The repertoire of the Washington Toho Koto Society ranges from early 17th century koto music to contemporary compositions.


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April 1, 2001

Photo of April 1, 2001 Performance
The repertoire of the Washington Toho Koto Society ranges from early 17th century koto music to contemporary compositions.

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March 26, 2000

Photo of March 26, 2000 Performance
The Washington Toho Koto Society performs traditional Japanese music as part of the National Cherry Blossom Festival.

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About the Artist

Photo of The Washington Toho Koto Society

The Washington Toho Koto Society is a group of over one hundred players and friends. The association was organized by Kyoko Okamoto in 1971 to promote the enjoyment of Japanese koto music. The Society has earned wide acclaim and has participated in many national events. These events have included Presidential inaugurations, Japanese Embassy events, Japanese Sister City and State programs, National Cherry Blossom Festivals, and many international folk festivals. The repertoire of the Society ranges from early 17th century koto music to contemporary compositions. Performances have included ensembles incorporating other traditional instruments (shamisen, shakuhachi) and also Western musical instruments.

The koto, or thirteen-string zither, produces an evocative sound recognized in Japanese surveys as the most distinctively Japanese voice in Japan's spectrum of musical instruments. The six-foot long zither is made of paulownia wood (kiri) with movable bridges supporting the thirteen strings which are plucked with three ivory picks worn on the right hand. The left hand also manipulates the strings to create more varied sounds. A precursor to the koto was found to exist in prehistoric times in Japan, but this more elaborate zither was introduced from China via Korea in the eighth century. In the mid-17th century, the koto moved beyond use by the courtier, priest, and scholar to become a popular instrument for the common people.

Kyoko Okamoto, a native of Japan, graduated from the Kyoto University of Foreign Studies. She is a certified koto teacher of the Ikuta School of Koto in Japan, where she studied with Kazue Ehara of Ashiya. She teaches privately and holds faculty appointments at the University of Maryland at College Park and the George Mason University in Virginia. Ms. Okamoto's lecture-demonstrations and recitals have delighted college and community audiences nationwide. She has recorded for film productions by the Smithsonian Institution and the National Symphony Orchestra.