Funny and upbeat, with just a pinch of sass, the Good Lovelies' textbook three-part harmonies, constant instrument swapping, and witty on-stage banter have enlivened the folk music landscape since they joined forces in 2006 for their first show at Toronto's funky Gladstone Hotel. How the Good Lovelies (Caroline Brooks, Kerri Ough, and Sue Passmore) got together is a bit of a mystery: Sue remembers meeting her band mates during a limbo competition, Caroline thinks they met at a chess tournament, but Kerri is convinced they first crossed paths during a bar fight... Whatever the story may be, the ladies immediately realized they had something special, so they hit the road on a mission to charm Canadian audiences coast to coast. Their tireless rain or shine outlook and undeniable mutual respect have helped the trio weather years of constant touring. With jaunts to Australia, the UK, and the US in their 2011 schedule, the Good Lovelies' road-tested tenacity will bring th further afield than ever before. Lighthearted songwriting and irresistibly buoyant dispositions have made th the darlings of the summer festival circuit, including spots at the storied Mariposa and Hillside Festivals and the Montreal Jazz Festival. They have toured with Stuart McLean and the Vinyl CafÈ and appeared on stages and in studios with Broken Social Scene, Kathleen Edwards, and Jill Barber. In addition to their acclaimed holiday album, Under the Mistletoe (2009), which showcases old and new seasonal tunes (including three original songs), the Good Lovelies' self-titled full-length album (also released in 2009) proved theiR&Blithe brand of folk music has year-round appeal. With this record, the Good Lovelies won New erging Artist at the Canadian Folk Music Awards. In 2010, this same album received a Juno for Roots/Traditional Album of the Year. Let the Rain Fall, their third full-length album, is an ode to camaraderie. Withemequal parts city and country, highway and home, wistfulness and sass, the Good Lovelies' good humor and self-assurance shines through from the toe-tapping start of "Made for Rain" to the sweet final notes in the French-flecked "Mrs. T." In between, are reflections on urban imperfections with "Backyard," straight-up love songs like "Best I Know" and upbeat numbers like "Kiss Me in the Kitchen." The album, like the Good Lovelies, has a universal appeal, sure to please not just their fellow Canadians, but thoseemsouth of the border and across the pond too. "Let The Rain Fall," say the Good Lovelies, confident that bright and breezy days lie ahead.