Gianandrea Noseda Music Director
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Conductor

NSO Music Director Gianandrea Noseda’s contract extended through the 2026–2027 Season
The National Symphony Orchestra has extended Gianandrea Noseda’s contract as Music Director for an additional two seasons, through the 2026–2027 season, which will be his tenth at the helm of the NSO. Considered one of the world’s most sought-after conductors, and equally recognized for his artistry in both the concert hall and opera house, Noseda has breathed new life into the NSO, reinvigorated its programming, and deepened its relevance and connection to audiences and the D.C.-area community. According to the New York Times, “Since 2017, Noseda has been thriving as music director of the NSO.” Noseda commented, “The last five years with the NSO have been the most rewarding partnership I could have imagined. I feel very fortunate to be leading this outstanding orchestra with a great management team for five years more.”
Gianandrea Noseda is one of the world’s most sought-after conductors, equally recognized for his artistry in both the concert hall and opera house. The 2021–2022 season marks his fifth as Music Director of the National Symphony Orchestra.
Noseda’s artistic leadership has inspired the NSO and in 2019, he and the National Symphony Orchestra earned rave reviews for their first concerts together at New York’s Carnegie Hall and Lincoln Center. The 2019–2020 season saw their artistic partnership continue to flourish with the launch of a new NSO recording label distributed by LSO Live for which Noseda also records as principal guest conductor of the London Symphony Orchestra. The first recording on the label featured Dvořák’s Symphony No. 9 and Copland’s Billy the Kid.
In addition to his positions with the NSO and LSO, this season Noseda begins his tenure as General Music Director of the Zurich Opera House where he will lead new productions of Il trovatore and Das Rheingold, as well as revivals Falstaff and Tristan und Isolde. The centerpiece of his tenure in Zurich will be a new Ring Cycle.
Noseda has conducted the most important orchestras and at the leading opera houses and festivals including the Berlin Philharmonic, Chicago Symphony Orchestra, Cleveland Orchestra, Edinburgh Festival, La Scala, Munich Philharmonic, Met Orchestra, New York Philharmonic, NHK Symphony, Orchestra dell’Accademia Nazionale di Santa Cecilia, Orchestre de Paris, Orchestre National de France, Philadelphia Orchestra, Royal Concertgebouw Orchestra, Royal Opera House (UK), Salzburg Festival, Verbier Festival, Vienna Philharmonic, Vienna State Opera, and Vienna Symphony.
Nurturing the next generation of artists is important to Noseda, as evidenced by his ongoing work in masterclasses and tours with youth orchestras, including the European Union Youth Orchestra, and his position as Music Director of the Tsinandali Festival and Pan-Caucasian Youth Orchestra in the village of Tsinandali, Georgia, which began in 2019.
From 2007 until 2018, Noseda served as Music Director of Italy’s Teatro Regio Torino where he ushered in a transformative era for the company matched with international acclaim for its productions, tours, recordings, and film projects. His leadership resulted in a golden era for this opera house.
Other institutions where he has had significant roles include the BBC Philharmonic which he led from 2002–2011; Principal Guest Conductor of the Israel Philharmonic Orchestra from 2011 – 2020; the Pittsburgh Symphony Orchestra, where the Victor de Sabata Chair was created for him as principal guest conductor from 2010–2014; and the Mariinsky Theatre in St. Petersburg, which appointed him its first-ever foreign principal guest conductor in 1997, a position he held for a decade. He served as Artistic Director of the Stresa Festival from 2000 – 2020. He was also Principal Guest Conductor of the Rotterdam Philharmonic from 1999 to 2003; Principal Guest Conductor of the Orchestra Sinfonica Nazionale della RAI from 2003 to 2006; and Principal Conductor of the Cadaqués Orchestra from 1994 to 2020.
Noseda’s intense recording activity counts more than 60 CDs, many of which have been celebrated by critics and received awards. He has made numerous recordings with the London Symphony Orchestra and is in the midst of a multi-year project to record the complete Shostakovich Symphonies with the LSO for LSO Live. He has championed the works of neglected Italian composers through his Musica Italiana recordings for Chandos. The most recent recording in this series—Dallapiccola’s Il Prigioniero with the Danish National Symphony Orchestra—has been critically acclaimed and named Gramophone Magazine’s August 2020 Recording of the Month.
Gianandrea Noseda’s cherished relationship with the Metropolitan Opera dates back to 2002. At the Met he has conducted 13 operas and nearly 100 performances mainly new productions, most recently Adriana Lecouvreur featuring Anna Netrebko. Many of his critically acclaimed performances have been broadcast on radio, Met Live in HD and released as DVDs.
A native of Milan, Noseda is Commendatore al Merito della Repubblica Italiana, marking his contribution to the artistic life of Italy. He has been honored as Musical America’s Conductor of the Year (2015) and International Opera Awards Conductor of the Year (2016). In December 2016 he was privileged to conduct the Nobel Prize Concert in Stockholm.