Each season of the American Opera Initiative commissions three 20-minute operas and an hour-long opera, using a chamber ensemble drawn from the WNO orchestra and the singers of the Domingo-Cafritz Young Artist Program. Commissioned works are based on American themes and stories. Each team of composers and librettists workshops their operas throughout the development cycle at the Kennedy Center and has the invaluable experience of witnessing their work performed on a Kennedy Center stage during the January AOI Festival. Performances are followed by a Q&A session with the artists and the creative team.
Participants are chosen from around the country, in collaboration with the Kennedy Center Conservatory Project. The Conservatory Project is an initiative of the Performing Arts of Everyone’s Millennium Stage, designed to present the best young musical artists in classical, jazz, musical theater, dance, and opera from our nation's leading undergraduate and graduate conservatories, colleges and universities.
A key element of the American Opera Initiative is connecting the young composers and librettists to professional mentors who have successfully brought new American operas to the stage. Past mentors have included conductors Anne Manson, Steven Osgood, and John DeMain, composers Jake Heggie, Ricky Ian Gordon, John Musto, and Kevin Puts, and librettists Mark Campbell and Gene Scheer. These mentors work closely with WNO Artistic Director Francesca Zambello and AOI Director Robert Ainsley throughout the creative process, offering detailed feedback and advice to each team.
Mentors for the 2018-2019 season are conductor Steven Osgood (General and Artistic Director, Chautauqua opera; Artistic Director, Composers and the Voice), composer Jake Heggie (Dead Man Walking, Moby Dick, Three Decembers), and librettist Gene Scheer (Moby Dick, Cold Mountain, An American Tragedy).