The foundation of KCACTF is production response. Effective theater is assessed by its ability to involve audiences in an experience that is both stimulating and illuminating, which emphasizes the spoken word; physical interpretation of the text; genuine emotions; and relationships between characters. Schools wishing to participate in KCACTF enter at least one production for response.
In January and February, eight Regional Festivals showcase the finest regional productions, offer workshops, and celebrate students' work.
The National Festival takes place each April. Students participate in workshops with theatre professionals, see productions in D.C., and connect with their peers from across the country.
The Kennedy Center American College Theater Festival affirms its commitment to policies and practices of promoting inclusion and diversity in its leadership, both regional and national, as well as in its programming. We pledge to nurture talent in all areas of the theater based solely on merit and achievement. We encourage production respondents to avoid discriminatory comments and embrace the variety of artistic choices generated by the diversity of perspective that exists on college campuses across the country. We promote collegial exploration of new ideas, supported by a clear understanding of long-held artistic practices, fully respecting the communicated intentions of the playwright.
We encourage discourse that affects positive change in the ways that under-represented groups are portrayed onstage, and we oppose acts of cultural appropriation and character depictions that deepen existing cultural divides. We embrace the idea that diversity in experience and perspective makes our organization stronger and more relevant and is therefore essential to our educational mission of training the future artistic leadership in American theater.
Kennedy Center Education
Major support for educational programs at the Kennedy Center is provided by David M. Rubenstein through the Rubenstein Arts Access Program.
Generous support is also provided by the U.S. Department of Education.
The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.
Gifts and grants to educational programs at the Kennedy Center are provided by A. James & Alice B. Clark Foundation; Sandra K. & Clement C. Alpert; Annenberg Foundation; Bank of America; Bender Foundation, Inc.; The Honorable Stuart Bernstein and Wilma E. Bernstein.
Michael F. and Noémi K. Neidorff and The Centene Charitable Foundation; CMA Foundation; DC Commission on the Arts and Humanities; Dr. Gerald and Paula McNichols Foundation; Estée Lauder; Exelon; Ford Foundation; The Gessner Family Foundation; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Harman Family Foundation; The Harold and Mimi Steinberg Charitable Trust; Herb Alpert Foundation; The Isadore and Bertha Gudelsky Family Foundation, Inc.; iTheatrics; The J. Willard and Alice S. Marriott Foundation; Jim and Heather Johnson; The Karel Komárek Family Foundation; the Kimsey Endowment; The Kiplinger Foundation; The King-White Family Foundation and Dr. J. Douglas White; Natalie and Herb Kohler and Kohler Co.; Laird Norton Family Foundation; Macy's; The Markow Totevy Foundation; Dr. Gary Mather and Ms. Christina Co Mather; Linda and Tobia Mercuro; Little Kids Rock; The Meredith Foundation; The Millennium Stage Endowment Fund; The Morningstar Foundation;
The Morris and Gwendolyn Cafritz Foundation; Myra and Leura Younker Endowment Fund; NAMM Foundation; National Endowment for the Arts; Newman's Own Foundation; Nordstrom; Oath Foundation; Park Foundation, Inc.; Paul M. Angell Family Foundation; The Irene Pollin Audience Development and Community Engagement Initiatives; Prince Charitable Trusts; Rosemary Kennedy Education Fund; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosenthal Family Foundation; Mr. and Mrs. Albert H. Small; The Stella Boyle Smith Trust; Target; The Embassy of the United Arab Emirates; The Volgenau Foundation; Volkswagen Group of America; Dennis & Phyllis Washington; Wells Fargo; William R. Kenan, Jr. Charitable Trust; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts.