A major figure on the hip hop scene since the early 1990s, choreographer Mourad Merzouki works at the crossroads of many different disciplines: he adds circus, martial arts, fine arts, video, and live music to his exploration of hip hop dance. Beginning at the age of seven, Merzouki trained in the circus school of Saint-Priest, in Lyon’s eastern suburbs, while also practicing martial arts. At age 15, inspired by hip hop culture, he gravitated towards dance. He created his first dance company, Accrorap, in 1989, with Kader Attou, Eric Mezino, and Chaouki Saïd. He continued to develop his unique brand of hip hop movement while simultaneously exploring other dance genres with contemporaries Maryse Delente, Josef Nadj, and Jean-François Duroure. Accrorap performed Athina during the Biennale de la Danse in Lyon in 1994 and earned acclaim for bringing hip hop from the street to the stage, enabling the troupe to perform internationally.

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Adrien Mondot and Claire Bardainne carry out projects in the fields of digital and performing arts with their company Adrien M / Claire B. They create many forms of art, from stage performances to exhibitions combining real and virtual worlds. They place the human body at the heart of technological and artistic challenges. They develop and customize their own IT tools, creating a visual language that entertains and breeds audience’s imaginations. The company operates as a research and creativity workshop based out in Lyon, searching for a live digital world: mobile, organic, ephemeral, random, and sensory.

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Marjorie Hannoteaux is a self-taught dancer with a wide range of professional experiences in fashion, cinema, theater, musicals, events, advertising, magazines, and contemporary and neoclassical dance. She dances for the companies of choreographers Montalvo-Hervieu, Blanca Li, Marie-Claude  Pietragalla,  Marie-Agnès  Gillot,  Kader Belarbi, David Drouad, Kamel Ouali, Franco Dragone, and Benjamin Millepied. She also performs for major brands such as Yves Saint-Laurent, Cartier, Van Cleef and Arpel, Swarovski, Jean-Paul Gaultier. She assists Dominique Hervieu, José Montalvo, Georges Momboye, and Marie-Agnès Gillot.

She joined Compagnie Käfig as an assistant to Mourad Merzouki on his creations for Yo Gee Ti in 2011, Pixel in 2013, Vertikal  and Folia in 2018, along with Zéphyr in 2020.

French of Moroccan origin, born in Jerusalem, the composer Armand Amar set out at an early age to find that “elsewhere” promised by non-European music. At first a self-taught musician, he practiced the tablas, the zarb, and the congas with various masters of traditional and classical music. In 1976, he discovered dance at the invitation of the South African choreographer Peter Goss. This encounter brought him into a direct relationship with the music, with a freedom to improvise unconstrained. Since then, he has worked with a considerable number of contemporary choreographers such as Marie-Claude Pietragalla, Carolyn Carlson, and Russell Maliphant.

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After studying in landscape architecture, Benjamin Lebreton continued training in scenography at the National School of Arts and Techniques of the Theater of Lyon. Graduated in 2005, he works in France and abroad as a set designer for dance, especially with Mourad Merzouki with whom he has been collaborating since 2006 on each of his creations, and also with Maguy Marin. For the theater, he has designed sets for Phillipe Awat, Catherine Heargreave, Thomas Poulard, David Mambouch. In Germany, he designed the set for Shakespeare’s A Midsummer Night’s Dream at the StaatTheater in Wiesbaden. At the same time, he works as a graphic designer participating in the creation of visuals for the Käfig company or the signage of several large buildings.

After a degree in lighting and sound design and four years as a stage manager in two theaters in Lyon, he created his first lighting designs in 1994 and has worked in all areas of the performing arts as a lighting designeror set designer. For dance, he has worked with Inbal Pinto & Avshalom Pollak Dance Company, Frank II Louise, Bob.H Ekoto, Question, Pilobolus, and Entre Nosotros. Since 1996, he has designed all of the lighting creations of Compagnie Käfig. He also creates lighting for exhibitions and events.

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After following a program in classical drawing and graphic arts and diligently practicing dance, Pascale Robin improved her cutting techniques at the fashion school Esmod. Captivated by the magic effect of the body on stage and by textile, she has been creating and designing costumes since 1986. In the dance industry, she has worked with several choreographers such as Jackie Taffanel, Régine Chopinot, Anne Teresa De Keersmaeker, Odile Azagury. She also designed costumes for automatons, circus artists, brass bands, street performances, operas, and cabarets. In addition to costume design, she currently works on personal projects, among which is a participation in lectures on costumes dedicated to a large audience.