NSO at Strathmore: Goldilocks and the Three Dinosaurs
Music Center at Strathmore
Once upon a time, there were three hungry Dinosaurs... This hilarious, symphonic take on a classic is retold by Mo Willems with original music by NSO Artistic Advisor Ben Folds. This event takes place at the Music Center at Strathmore.
This event is located at The Music Center at Strathmore
Once upon a time, there were three hungry Dinosaurs: Papa Dinosaur, Mama Dinosaur…and a dinosaur who happened to be visiting from Norway! That’s just the beginning of this hilarious, fractured, symphonic take on “Goldilocks and the Three Bears,” as retold by MO WILLEMS. This new classic is presented by favorite performers and the National Symphony Orchestra, featuring original music by indie pop icon and NSO Artistic Advisor BEN FOLDS.
The cast includes D.C. and Broadway favorites: EVAN CASEY, MONTEGO GLOVER, ERIKA ROSE, ANDREW ROSS WYNN, and TONY YAZBECK.
This concert takes place at The Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD 20852
Cast & Creative Team
Mo Willems, author, director Ben Folds, composer Enrico Lopez-Yañez, conductor
Montego Glover, Goldilocks Tony Yazbeck, Norwegian Dinosaur Andrew Ross Wynn, Papa Dinosaur Erika Rose, Mama Dinosaur Evan Casey, narrator Justine Icy Moral, understudy Benjamin Lurye, understudy
MeganAlrutz, dramaturg Erik Teague, costume designer AJ Guban, lighting designer Julia Singer, stage manager Kyla S. Mermejo-Varga, assistant stage manager
Tickets may only be purchased in person at the Kennedy Center Box Office or by calling Instant Charge at (202) 467-4600. Your order confirmation should be taken to the Strathmore Box Office on the evening of the performance, where it will be exchanged for reserved seat tickets.
Learning Guide Materials
Spend some time before or after the show to learn more about Goldilocks and the Three Dinosaurs and the rest of the concert repertoire with this learning guide!
Meet the Creative Team
Author, Director
Mo Willems
Mo Willems is an author, illustrator, animator, playwright, and the inaugural Kennedy Center Education Artist-in-Residence, where he collaborates in creating fun new stuff involving classical music, opera, comedy concerts, dance, painting, and digital works with the National Symphony Orchestra, Ben Folds, Yo-Yo Ma, and others. Willems is best known for his #1 New York Times bestselling picture books, which have been awarded three Caldecott Honors (Don’t Let the Pigeon Drive the Bus!, Knuffle Bunny, Knuffle Bunny Too), two Theodor Geisel Medals, and five Geisel Honors (The Elephant & Piggie series). Willems’s art has been exhibited around the world, including major solo retrospectives at the High Museum (Atlanta) and the New-York Historical Society (NYC).
Over the last decade, Willems has become the most produced playwright of Theater for Young Audiences in America, having written or co-written four musicals based on his books. He began his career as a writer and animator on PBS’s Sesame Street, where he garnered six Emmy Awards (writing). Other television work includes two series on Cartoon Network: Sheep in the Big City (creator and head writer) and Codename: Kids Next Door (head writer). Willems is creating new TV projects for HBOMax, where his live action comedy special Don’t Let the Pigeon Do Storytime! currently streams.
Composer
Ben Folds
Ben Folds is widely regarded as one of the major music influencers of our generation. He has created an enormous body of genre-bending music that includes pop albums with Ben Folds Five, multiple solo albums, and numerous collaborative records. His last album was a blend of pop songs and his Concerto for Piano and Orchestra that soared to #1 on both the Billboard classical and classical crossover charts.
For over a decade he’s performed with some of the world’s greatest symphony orchestras, and currently serves as the first ever Artistic Advisor to the National Symphony Orchestra at the Kennedy Center.
Folds released his first book – a collection of interrelated essays, anecdotes and lessons about art, life and music - in 2019, which debuted as a New York Times Best Seller, and is currently hosting a podcast series spinoff of his book entitled Lightning Bugs: Conversations with Ben Folds. In addition to solo rock and orchestral touring, he is also developing a new unscripted TV series with Fred Rogers Productions, continues to appear in various film/tv guest-starring roles, and is working on new music.
An avid photographer, Folds is also a member of the prestigious Sony Artisans of Imagery, has worked as an assignment photo editor for National Geographic, and was featured in a mini-documentary by the Kennedy Center’s Multimedia team on his photographic work.
An outspoken champion for arts education and music therapy funding in our nations public schools, has served for over five years as an active member of the distinguished Artist Committee of Americans For The Arts (AFTA), and serves on the Board of AFTA’s Arts Action Fund. He also served as Chairman of the Arts Action Fund’s ArtsVote2020 national initiative that encouraged voter engagement in the 2020 U.S. elections, and continually advocates for improving public policies for the arts and arts education.
Dramaturg
Megan Alrutz
Megan Alrutz is an artist, educator, and scholar with over 20 years of experience in theater, media, and interdisciplinary performance for youth and families. She has directed and created several nationally recognized theatre pieces and interactive installations, with a special interest in theater for the very young, interdisciplinary performance projects, and visually dynamic staging. Alrutz’s work has been produced or presented by the Alliance Theatre, The New Victory, Kennedy Center, Orlando REP, Seattle Children’s Theatre, Arts on Horizon, and Metro Theater.
She is a long-time collaborator of author/illustrator Mo Willems and has worked as the producer, dramaturg, and/or director on his musicals, interactive engagements, and other live and televised performance work. Alrutz is currently the dramaturg on Mo Willems’ artistic residencies and productions with the John F. Kennedy Center for the Performing Arts and HBO Max. She is also a professor and associate chair at The University of Texas at Austin’s Department of Theatre and Dance where she writes and teaches about Theatre for Young Audiences, Applied Theatre, and Digital Storytelling.
Costume Designer
Erik Teague
Erik Teague (Costume Designer) D.C. AREA: Signature Theatre: Blackbeard; Kennedy Center: Acoustic Rooster; Washington National Opera: The Lion, The Unicorn and Me; Wolf Trap Opera: The Touchstone; National Gallery of Art: Color’s Garden; Constellation Theatre: Master and Margarita, The Wild Party, Equus; Synetic Theater: The Phantom of the Opera, Richard III, The Trial, Titus Andronicus, Sleepy Hollow, The Hunchback of Notre Dame, Man in the Iron Mask.
REGIONAL: The Atlanta Opera: The Threepenny Opera, Cabaret; The Glimmerglass Festival: The Cunning Little Vixen, La bohéme, Ariadne in Naxos, Odyssey, Wilde Tales, Trouble in Tahiti, The Flying Dutchman; Opera Southwest: Lohengrin; Actor’s Express Atlanta: Les Liaisons Dangereuses; AWARDS: one Helen Hayes Award, two Susi Bass Awards. www.erikteaguedesign.com
Lighting Designer
A.J. Guban
A.J. Guban (Lighting Designer) Recent credits include the Kennedy Center’s 50th Anniversary Concert; Washington National Opera’s Come Home: A Celebration of Return; and, Constellation Theatre Company’s Moon Man Walk. He has designed at Opera Cleveland, Opera Vivente, The Maryland Opera Studio, Atlanta Opera, Opéra de Montréal, Opera Lafayette, Synetic Theatre, Imagination Stage, The Smithsonian American Art Museum, and the National Postal Museum, among others. A.J. has been the Lighting Supervisor at the Washington National Opera for the past twelve seasons and is a proud member of USA Local 829. www.ajguban.com
Stage Manager
Julia Singer
Julia Singer(Production Stage Manager) Kennedy Center: Don’t Let the Pigeon Drive the Bus!, How to Catch a Star, Me…Jane, Elephant & Piggie’s: We Are in a Play!; Ford’s Theatre: My Lord, What a Night, Silent Sky, Fences, 12 Angry Men, Born Yesterday, Jefferson’s Garden, Death of a Salesman, Who’s Afraid of Virginia Woolf, 110 in the Shade, A Christmas Carol, Freedom’s Song, Driving Miss Daisy; Folger Theatre: Love’s Labor’s Lost, The Winter’s Tale; Imagination Stage: The Ballad of Mu Lan; The Juilliard School: This Is Our Youth, Cymbeline, A Little Night Music, Frankie and Johnny in the Clair de Lune.
Assistant Stage Manager
Kyla S. Mermejo-Varga
Kyla S. Mermejo-Varga (Assistant Stage Manager) Ford’s Theatre: Come From Away: Concert at the Lincoln Memorial, My Lord, What a Night, A Christmas Carol, Grace; Northern Stage: Citrus, King Lear, The Sound of Music, Jordan, A Doll’s House, Part 2, Once, Buyer & Cellar, Venus Rising, Dear Elizabeth, Oslo; New London Barn Playhouse: Newsies, 42nd Street, Sylvia, Camelot, 61st Straw Hat Revue.
Meet the Artists
Conductor
Enrico Lopez-Yañez
Enrico Lopez-Yañez is the Principal Pops Conductor of the Nashville Symphony where he leads the Symphony’s Pops Series and Family Series. Lopez-Yañez is quickly establishing himself as one of the Nation’s leading conductors of popular music and becoming known for his unique style of audience engagement. Since working with the Nashville Symphony, Lopez-Yañez has conducted concerts with a broad spectrum of artists including Patti LaBelle, Kenny Loggins, Richard Marx, Toby Keith, Trisha Yearwood, Renée Elise Goldsberry, Hanson, and more.
This season, Lopez-Yañez will collaborate with artists including Itzhak Perlman, Nas, Leslie Odom Jr., Stewart Copeland of The Police, Ben Folds, Kenny G, Jennifer Nettles, and more. Lopez-Yañez will appear with the Cinncinatti Pops, Dallas Symphony, North Carolina Symphony, Pacific Symphony San Diego Symphony, and will make return appearances with the Detroit Symphony, Florida Orchestra, Rochester Philharmonic, and Sarasota Symphony, among others.
As Artistic Director and Co-Founder of Symphonica Productions, LLC, Lopez-Yañez curates and leads programs designed to cultivate new audiences. An enthusiastic proponent of innovating the concert experience, his exciting education, classical, and pops concerts are performed by orchestras across the United States.
Goldilocks
Montego Glover
Montego Glover is a Tony Award Nominee, Two-time Drama Desk Award Winner, Outer Critics’ Circle Award Winner, Outer Critics’ Circle Award Honoree, and Drama League Award Nominee. Her Broadway credits include Hamilton (Angelica Schuyler), Memphis (Felicia Farrell), Les Misérables (Fantine), It Shoulda Been You (Annie Shephard), and the original Broadway production of The Color Purple (Celie & Nettie). Glover has been a Guest Artist at La Jolla Playhouse, Seattle’s 5th Avenue Theatre, Lincoln Center Theater, and the Old Globe, among others, earning an IRNE Award, a Helen Hayes Nomination, and a Craig Noel Nomination.
Glover has been privileged to work as Guest Artist with the New York Pops, Jazz at Lincoln Center, New York City Center, the National Symphony Orchestra, Houston Symphony, Philadelphia Orchestra, Atlanta Symphony, Toronto Symphony Orchestra, Cincinnati Symphony, Jacksonville Symphony, Indianapolis Symphony Orchestra, Edmonton Symphony Orchestra, Caramoor Music Festival, Calgary Philharmonic, Sun Valley Symphony Orchestra, Vancouver Symphony Orchestra, and the Smith Center in Las Vegas.
TV & Film projects include: Inventing Anna on Netflix, Evil Season 2 on Paramount Plus, BULL, Black Box, The Following, Hostages, Smash, The Good Wife, White Collar, Golden Boy, Law & Order, Made In Jersey, and the independent feature film Broken Soldier. Glover has enjoyed numerous commercial campaigns, voiceovers, narration and animated characters for television, gaming, film, and new media.
Glover has served as a member of the Artists’ Committee for the Kennedy Center Honors and Lincoln Center Theater, is a New York PopsEd Ambassador, a Judge for the National Highschool Music Theatre Awards (the Jimmy’s) and is a member of the Broadway Green Alliance.@MontegoGlover www.MontegoGlover.com
Norwegian Dinosaur
Tony Yazbeck
Tony Yazbeck most recently starred as Cary Grant in the new musical Flying Over Sunset on Broadway at Lincoln Center Theater. He began his career at the age of 11 on Broadway in Gypsy with Tyne Daly. For the 2014 Broadway revival of On the Town, he won the Astaire Awardand was nominated for Tony®, Drama League, and Outer Critics Circle awards for his virtuosic performance. He also starred in the Susan Stroman/Harold Prince–helmed Japan and Broadway productions of Prince of Broadway for which he received the Chita Rivera Award as well as Drama Desk and Outer Critics Circle Award nominations.
His other Broadway credits include Finding Neverland (J.M. Barrie), Chicago (Billy Flynn), Irving Berlin’s White Christmas (Phil Davis), Gypsy with Patti LuPone (Tulsa; Outer Critics Circle nomination), A ChorusLine (Al), Oklahoma!, and Never Gonna Dance. Off-Broadway credits include A Chorus Line (City Center), The Cradle Will Rock (Classic Stage), The Beast in the Jungle (Vineyard Theatre), The Scarlet Pimpernel and Crazy For You (both at David Geffen Hall), Fanny Hill (York Theatre), and for New York City Center Encores! he has appeared in Little Me, On the Town, Gypsy, The AppleTree, A Tree Grows in Brooklyn, and Pardon My English.
Regional theatre credits include Alliance, Barrington, Williamstown, Hartford Stage, Goodman, The Muny (St. Louis), Goodspeed (Connecticut Critics Circle Award), Signature (Helen Hayes Award), Trinity Rep, Paper Mill, and Old Globe. Yazbeck starred internationally in Kiss Me, Kate at the Royal Albert Hall in London under the baton of John Wilson.
His television and film credits include The Good Fight,Billions, Smash, and the feature documentary Every Little Step. In concert he has appeared with the San Francisco Symphony under Michael Tilson Thomas; Carnegie Hall with the New York Pops under the baton of Steven Reineke; with the National Symphony Orchestra at Wolf Trap with Michael Barrett; he was featured on the PBS Great Performances special The Bernstein Centennial Celebration at Tanglewood with the Boston Symphony Orchestra; and he was most recently featured on PBS with The Kennedy Center at 50.
Yazbeck also stars in his own song and dance show. He recently premiered his solo concert at Lincoln Center’s American Songbook series. His debut album, The Floor Above Me, has been released digitally and on CD by PS Classics. He will also make is New York directorial debut with Jekyll and Hyde at David Geffen Hall in 2023.
Papa Dinousar
Andrew Ross Wynn
Andrew Ross Wynn began his professional career in the D.C. Metro area performing with several companies including the Kennedy Center, Arena Stage, the Folger Shakespeare Library, Woolly Mammoth, and Round House. Then, he moved to Los Angeles where he worked in film, television, and theater. Wynn won an Ovation award for his work in 3-D Theatrical’s production of Parade, and received a Helen Hayes award nomination for the role of the Major General in The Pirates of Penzance.
Andrew holds a Master of Fine Arts in performance pedagogy from Virginia Commonwealth University, and will be graduating from George Mason University’s master’s in social work program in May of 2022. Upon graduation, he will be a supervisee-in-social work providing psychotherapy services at Woodbridge Therapy Group. Wynn wants to thank his family and friends for their immeasurable support throughout his life. He is a proud member of SAG-AFTRA and Actor’s Equity.
Mama Dinosaur
Erika Rose
Erika Rose was last seen at the Kennedy Center as co-host for Mo Willems’ culminating artist-in-residence project, We Are All Connected. Before that, she played Bus Engine, Duckling, and Mom in Don’t Let the Pigeon Drive the Bus; Mom in Knuffle Bunny, and has had the great joy of particpating in workshops of Mo’s new work over the years. She’s grateful to do one Mo’Gin. Erika is a Maryland/D.C. native, a regular on area stages, winner of two Helen Hayes Awards for Outstanding Lead Actress, and a proud mother of two creative kids, Naima and Adisa, who make her a better human every day.
Thank you to her husband and the father of her beautiful children, Patrick, who is a better father than she could have ever hoped for. She is excited to get to play with this incrdible cast, Ben, Mo, and the NSO. Special thank you to David Kilpatrick and the hardworking and dedicated Kennedy Center Education team. If you want to know more about Erika and her work, visit her website: www.erikarose.com. Instagram: @erikarose.art
Narrator
Evan Casey
Evan Casey has been seen locally at the Kennedy Center, Ford’s Theatre, Shakespeare Theatre Company, Signature Theatre, Round House Theatre, Olney Theatre Center, Studio Theatre 2ndstage, Rep Stage, and Imagination Stage, among others. His work on D.C.’s stages has garnered him multiple Helen Hayes Award nominations, most recently for Outstanding Lead Actor in a Play for his work in The Flick at Signature Theatre. He has also performed Off-Broadway at the TBG Theatre, York Theatre, and most recently as Elephant Gerald in Elephant and Piggie’s We Are In A Play at the New Victory Theatre, a role he originated at the Kennedy Center.
He performed across the country—and recorded multiple albums and public radio specials—as a member of the Capitol Steps, a political satire group that was a Washington, D.C. institution for nearly 40 years. Other work includes a variety of commercials, television, and films, including HBO’s upcoming mini-series We Own This City. His voice can be heard on numerous audio book recordings for Graphic Audio, on the recent hit podcasts Circle Round and Who, When, Wow!, and on the original cast recordings of Elephant and Piggie’s We Are In A Play and Don’t Let The Pigeon Drive The Bus.
Understudy
Justine Icy Moral
Justine Icy Moral (Understudy) Off-Broadway: Elephant and Piggie. Nat’l Tours: South Pacific; Elephant and Piggie; Les Miserables. Regional: Dallas Summer Musicals: The King and I; Flatrock Playhouse: Miss Saigon; Wheelock: Beauty and the Beast (IRNE Nom); Colorado Springs Fine Arts Center: Working; Ford’s: Ragtime (Helen Hayes Award, Ens.), Christmas Carol, Into The Woods; Rep Stage: Sweeney Todd; Constellation: Avenue Q (Helen Hayes Nom., Helen Hayes, Ens.), Journey To The West (Helen Hayes Nom.); IStage: The Little Mermaid, Mulan, The Lion, The Witch, and The Wardrobe (Helen Hayes, Ens.), Peter Pan and Wendy; Olney: The King and I; Creative Cauldron: The Mistress Cycle. Training: BM, Peabody Conservatory Johns Hopkins University. Instagram: @JustineIcyMoral
Understudy
Benjamin Lurye
Benjamin Lurye returns to the Kennedy Center, having previously appeared in OLIVERio and with the NSO in their 2013 New Year’s Eve concert Music of the Mad Men Era. DC credits include Signature Theatre: A Little Night Music, Diner, Sweeney Todd; Olney Theatre: My Fair Lady, Sweeney Todd, Mary Poppins, Joseph…Dreamcoat, Forever Plaid; Ford’s Theatre: Hello, Dolly!; Rep Stage: Sweeney Todd, The Fantasticks; Toby’s Dinner Theatre: Les Miserables, Joseph…Dreamcoat, 1776, Ragtime; UrbanArias: Blue Viola; Adventure Theatre, 1st Stage, others.
OTHER REGIONAL: Bristol Riverside Theatre: A Comedy of Tenors; Virginia Rep: Cinderella; Artistree Music Theatre Festival: Forever Plaid. MUSIC DIRECTION: Constellation Theatre: Caucasian Chalk Circle; Adventure Theatre: Make Way for Ducklings (world premiere); We Happy Few: The Tempest; others. CONCERT: On The Town with the Lawton Philharmonic Orchestra, Around the World in 80 Days with The American Pops. Ben is a member of the Opera/Rock mash-up tribute group The Jersey Tenors. Visit him at www.benlurye.com, IG: @ben_lurye_sings_high. UPCOMING: Music Direction of Fantastagirl and the Math Monster at Adventure Theatre.
National Symphony Orchestra
The 2023–2024 season is the National Symphony Orchestra’s 93rd season, and Music Director Gianandrea Noseda’s seventh season. Noseda serves as the Orchestra’s seventh Music Director, joining the NSO’s legacy of distinguished leaders: Christoph Eschenbach, Leonard Slatkin, Mstislav Rostropovich, Antal Doráti, Howard Mitchell, and Hans Kindler. Its artistic leadership also includes Principal Pops Conductor Steven Reineke and Artistic Advisor Ben Folds.
Since its founding in 1931, the NSO has been committed to performances that enrich the lives of its audience and community members. In 1986, the National Symphony became an artistic affiliate of the John F. Kennedy Center for the Performing Arts, where it has performed since the Center opened in 1971. The 96-member NSO participates in events of national and international importance, including the annual nationally televised concerts on the lawn of the U.S. Capitol, live-streamed performances from the Kennedy Center Concert Hall on medici.tv, and local radio broadcasts on Classical WETA 90.9 FM.
The NSO builds on its recording legacy with its eponymous label that launched in 2020. Since launching, the National Symphony Orchestra has garnered praise for its ambitious recording projects including the orchestra’s first complete Beethoven Symphony cycle and the release of the first-ever cycle of George Walker’s Sinfonias, both led by Music Director Gianandrea Noseda.
Additionally, the NSO’s community engagement and education projects are nationally recognized, including NSO In Your Neighborhood, an annual week of performances in schools, churches, community centers, and other unexpected venues; Notes of Honor, which offers free performances for active, veteran, prior service, and retired members of the military and their families; and Sound Health, a collaboration with the National Institutes of Health (NIH) and its affiliated organizations. Career development opportunities for young musicians include the NSO Youth Fellowship Program and its acclaimed, tuition-free Summer Music Institute.
Sponsors
Wells Fargo, The Kimsey Endowment, Dr. Gary Mather and Ms. Christina Co Mather, The Morris and Gwendolyn Cafritz Foundation, The Paul M. Angell Family Foundation
Terms and Conditions
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