Wed. Feb. 8, 2023 7:30p.m.

Opera House

ailey logo.png

Alvin Ailey, Founder
Judith Jamison, Artistic Director Emerita

Robert Battle, Artistic Director
Matthew Rushing, Associate Artistic Director

Company Members

  • Jeroboam Bozeman
  • Khalia Campbell
  • Patrick Coker
  • Sarah Daley-Perdomo
  • Caroline T. Dartey
  • Ghrai DeVore-Stokes
  • Solomon Dumas
  • Samantha Figgins
  • Jau’mair Garland
  • James Gilmer
  • Vernard J. Gilmore
  • Ashley Kaylynn Green
  • Jacquelin Harris
  • Michael Jackson, Jr.
  • Yazzmeen Laidler
  • Yannick Lebrun
  • Xavier Mack
  • Renaldo Maurice
  • Ashley Mayeux
  • Corrin Rachelle Mitchell
  • Chalvar Monteiro
  • Alisha Rena Peek
  • Belén Indhira Pereyra
  • Miranda Quinn
  • Hannah Alissa Richardson
  • Deidre Rogan
  • Kanji Segawa
  • Courtney Celeste Spears
  • Constance Stamatiou
  • Christopher Taylor
  • Jermaine Terry
  • Christopher R. Wilson

Ronni Favors, Rehearsal Director
Clifton Brown, Assistant Rehearsal Director

Bennett Rink, Executive Director

Program

Tuesday, February 7, 2023

In a Sentimental Mood
(2022)

Choreography by Jamar Roberts
Music by Duke Ellington and Rafiq Bhatia
Costumes & Décor by Jamar Roberts
Lighting by Brandon Stirling Baker

“Love does not begin and end the way we seem to think it does.
Love is a battle, love is a war; love is a growing up.”
–James Baldwin

Ghrai DeVore-Stokes, Chalvar Monteiro

The world premiere of In a Sentimental Mood is made possible with support from Maury & Joseph Bohan, Peter S. Croncota, The Ellen Jewett & Richard L. Kauffman New Works Endownment Fund, Tarell Alvin McCraney, and the Red Moose Charitable Fund.

Jamar Roberts (Miami, FL) was the Resident Choreographer of Alvin Ailey American Dance Theater from 2019-2022. Mr. Roberts made five works on the Company, all to critical acclaim: Members Don’t Get Weary (2016), Ode (2019), A Jam Session for Troubling Times (2020), Holding Space (2021), and In a Sentimental Mood (2022). He also set Gemeos on Ailey II. Mr. Roberts is a graduate of the New World School of the Arts and The Ailey School and has dance for Alvin Ailey American Dance Theater, Ailey II, and Complexions. Mr. Roberts won the 2016 Bessie Award for Outstanding Performer and has performed as a guest artist with the Royal Ballet in London. Commissions include Vail Dance Festival, Fall for Dance, The Juilliard School, BalletX, MoveNYC, New York City Ballet, and Works and Process at the Guggenheim where he created the film Cooped. The March on Washington Film Festival invited Mr. Roberts to create a tribute to John Lewis and he has also made a film for the LA Opera entitled The First Bluebird in the Morning. Mr. Roberts was a Director’s Fellow at NYU’s Center for Ballet and the Arts and was recently featured on the cover of Dance Magazine, previously having been on the cover in June 2013 and been named one of “25 to Watch” in 2007. He first joined the Company in 2002 and retired from dancing in 2021.

“There’s Something About an Old Love” by Lupin Fein, Will Hudson, Irving Mills, Used by Permission of Sony/ATV Harmony; “In a Sentimental Mood” by Duke Ellington, Used by Permission of Sony/ATV Harmony; “First Time I Ever Saw Your Face” by Ewan MacColl, Used by Permission of The Royalty Network, Inc.; “Lonely Woman” by Ornette Coleman, Used by Permission of Kobalt Music Publishing”; “Single Petal of a Rose” by Duke Ellington, Used by Permission of G. Schirmer Inc.

– Pause–

DUET
(1964, Ailey premiere 2022)

Choreography by Paul Taylor
Music by Josef Haydn
Staged for this performance by Carolyn Adams
Assisted by Rei Akazawa-Smith & Irving Amigon
Costumes by George Tacet
Lighting by Jennifer Tipton
Lighting re-created by Roya Abab

Belén Indhira Pereyra, Patrick Coker

First performed by Paul Taylor Dance Company in 1964.

Dance maker Paul Taylor (1930-2018) was a member of the pantheon that created America’s indigenous art of modern dance. He won acclaim for the vibrancy, relevance and power of his works, while offering cogent observations on life’s complexities and society’s thorniest issues. During Mr. Taylor's 64-year career he choreographed 147 dances that are performed by the Paul Taylor Dance Company, Taylor 2, and dance companies throughout the world. The Paul Taylor Dance Company has performed continuously around the globe since Mr. Taylor established it in 1954.

Excerpt from “The Seven Last Words of Christ” Sonata VII in E-flat major – Largo.

– Intermission –

Are You in Your Feelings?
(2022)

Choreography by Kyle Abraham
Music: Various Artists
Rehearsal Associate Stephanie Teraski
Costumes by Karen Young
Lighting by Dan Scully

Caroline T. Dartey, Ghrai DeVore-Stokes, Solomon Dumas, Samantha Figgins,
James Gilmer, Ashley Kaylynn Green, Renaldo Maurice, Ashley Mayeux,
Chalvar Monteiro, Miranda Quinn, Deidre Rogan, Jermaine Terry

The creation of Are You in Your Feelings? is supported by commissioning funds from New York City Center.

The world premiere of Are You in Your Feelings? is made possible with major support from Michele & Timothy Barakett,
Melinda & Paul Pressler, Jeanne Greenberg Rohatyn & Nicolas S. Rohatyn New Works Endowment Fund,
and The Pamela D. Zilly & John H. Schaefer Endowment Fund.

Additional support was provided by an Anonymous supporter, The Fred Eychaner New Works Endowment Fund,
and The Kansas City Friends of Alvin Ailey—Sara and Bill Morgan New Works Endowment Fund.

Kyle Abraham and his choreography have been featured in Document Journal, Ebony, Kinfolk, O Magazine, Vogue, and Vogue UK, amongst other publications. Abraham is the proud recipient of a Princess Grace Statue Award (2018), Doris Duke Award (2016), and MacArthur Fellowship (2013). He currently serves as the Claude and Alfred Mann Endowed Professor in Dance at The University of Southern California Glorya Kaufman School of Dance. Abraham also sits on the advisory board for Dance Magazine and Hubbard Street Dance Chicago. He is a member of the American Academy of Arts and Sciences, the inaugural Black Genius Brain Trust, and the inaugural cohort of the Dorchester Industries Experimental Design Lab, a partnership between the Prada Group, Theaster Gates Studio, Dorchester Industries, and Rebuild Foundation. His company, A.I.M by Kyle Abraham, is widely considered “one of the most consistently excellent troupes working today” (The New York Times). Led by Abraham’s innovative vision, the work of A.I.M is galvanized by Black culture and history and grounded in a conglomeration of unique perspectives. Abraham has been commissioned by dance companies including Alvin Ailey American Dance Theater, Hubbard Street Dance Chicago, The National Ballet of Cuba, New York City Ballet, and The Royal Ballet. Abraham has also choreographed for many of the leading dancers of our time, including Misty Copeland, Calvin Royal III, and Wendy Whelan. For more information, visit aimbykyleabraham.org

“I Love You” is licensed under CC BY-NC-SA 3.0. “I Only Have Eyes for You” performed by The Flamingos, courtesy of Warner Chappell. “A Breaux's Tale” and “Roster” performed by Jazmine Sullivan, courtesy of Warner Chappell and Kobalt Music Publishing. “Forgive Them Father” performed by Lauryn Hill, courtesy of Sony Music Publishing. “That’s How You Feel” performed by Drake, courtesy of Sony Music Publishing. “I’ll Call U Back” Performed by Erykah Badu, courtesy of Sony Music Publishing and Universal Music Publishing. “Woman to Woman” performed by Shirley Brown, courtesy of Universal Music Publishing. “Session 32” performed by Summer Walker, courtesy of Warner Chappell. “LOVE. ft. Zacari.” performed by Kendrick Lamar, courtesy of Sony Music Publishing, Warner Chappell, Kobalt Music Publishing, and Universal Music Publishing. “While We’re Young” performed by Jhené Aiko, courtesy of Universal Music Publishing. “Symptom Unknown” performed by Maxwell, courtesy of Sony Music Publishing.

– Intermission –

Revelations
(1960)

Choreography by Alvin Ailey
Music: Traditional
Décor and Costumes by Ves Harper
Costume dresses for Move, Members, Move redesigned by Barbara Forbes
Lighting by Nicola Cernovitch

Pilgrim of Sorrow

  • I Been 'Buked (Music arranged by Hall Johnson*) The Company

  • Didn't My Lord Deliver Daniel (Music arranged by James Miller+) Solomon Dumas, Alisha Rena Peek, Ashley Mayeux

  • Fix Me, Jesus (Music arranged by Hall Johnson*) Corrin Rachelle Mitchell, Jermaine Terry

Take Me to the Water

  • Processional/Honor, Honor (Music adapted and arranged by Howard A. Roberts) Xavier Mack, Ashley Kaylynn Green, James Gilmer, Christopher Taylor

  • Wade in the Water (Music adapted and arranged by Howard A. Roberts, “Wade in the Water” sequence by Ella Jenkins, “A Man Went Down to the River” is an original composition by Ella Jenkins) Jacquelin Harris, Renaldo Maurice,  Courtney Celeste Spears

  • I Wanna Be Ready (Music arranged by James Miller+) Vernard J. Gilmore

Move, Members, Move

  • Sinner Man (Music adapted and arranged by Howard A. Roberts) Christopher Taylor, James Gilmer, Kanji Segawa

  • The Day is Past and Gone (Music arranged by Howard A. Roberts and Brother John Sellers) The Company

  • You May Run On (Music arranged by Howard A. Roberts and Brother John Sellers) The Company

  • Rocka My Soul in the Bosom of Abraham (Music arranged by Howard A. Roberts) The Company

*Used by arrangement with G. Schirmer, Inc., publisher and copyright owner.
+Used by special arrangement with Galaxy Music Corporation, New York City.

All performances of Revelations are permanently endowed by a generous gift from Donald L. Jonas in celebration of the birthday of his wife, Barbara, and her deep commitment to the Alvin Ailey American Dance Theater.

Wednesday, February 8, 2023

Are You in Your Feelings?
(2022)

Choreography by Kyle Abraham
Music: Various Artists
Rehearsal Associate Stephanie Teraski
Costumes by Karen Young
Lighting by Dan Scully

Caroline T. Dartey, Ghrai DeVore-Stokes, Solomon Dumas, Samantha Figgins,
James Gilmer, Ashley Kaylynn Green, Renaldo Maurice, Ashley Mayeux,
Chalvar Monteiro, Miranda Quinn, Deidre Rogan, Jermaine Terry

The creation of Are You in Your Feelings? is supported by commissioning funds from New York City Center.

The world premiere of Are You in Your Feelings? is made possible with major support from Michele & Timothy Barakett,
Melinda & Paul Pressler, Jeanne Greenberg Rohatyn & Nicolas S. Rohatyn New Works Endowment Fund,
and The Pamela D. Zilly & John H. Schaefer Endowment Fund.

Additional support was provided by an Anonymous supporter, The Fred Eychaner New Works Endowment Fund,
and The Kansas City Friends of Alvin Ailey—Sara and Bill Morgan New Works Endowment Fund.

Kyle Abraham and his choreography have been featured in Document Journal, Ebony, Kinfolk, O Magazine, Vogue, and Vogue UK, amongst other publications. Abraham is the proud recipient of a Princess Grace Statue Award (2018), Doris Duke Award (2016), and MacArthur Fellowship (2013). He currently serves as the Claude and Alfred Mann Endowed Professor in Dance at The University of Southern California Glorya Kaufman School of Dance. Abraham also sits on the advisory board for Dance Magazine and Hubbard Street Dance Chicago. He is a member of the American Academy of Arts and Sciences, the inaugural Black Genius Brain Trust, and the inaugural cohort of the Dorchester Industries Experimental Design Lab, a partnership between the Prada Group, Theaster Gates Studio, Dorchester Industries, and Rebuild Foundation. His company, A.I.M by Kyle Abraham, is widely considered “one of the most consistently excellent troupes working today” (The New York Times). Led by Abraham’s innovative vision, the work of A.I.M is galvanized by Black culture and history and grounded in a conglomeration of unique perspectives. Abraham has been commissioned by dance companies including Alvin Ailey American Dance Theater, Hubbard Street Dance Chicago, The National Ballet of Cuba, New York City Ballet, and The Royal Ballet. Abraham has also choreographed for many of the leading dancers of our time, including Misty Copeland, Calvin Royal III, and Wendy Whelan. For more information, visit aimbykyleabraham.org

“I Love You” is licensed under CC BY-NC-SA 3.0. “I Only Have Eyes for You” performed by The Flamingos, courtesy of Warner Chappell. “A Breaux's Tale” and “Roster” performed by Jazmine Sullivan, courtesy of Warner Chappell and Kobalt Music Publishing. “Forgive Them Father” performed by Lauryn Hill, courtesy of Sony Music Publishing. “That’s How You Feel” performed by Drake, courtesy of Sony Music Publishing. “I’ll Call U Back” Performed by Erykah Badu, courtesy of Sony Music Publishing and Universal Music Publishing. “Woman to Woman” performed by Shirley Brown, courtesy of Universal Music Publishing. “Session 32” performed by Summer Walker, courtesy of Warner Chappell. “LOVE. ft. Zacari.” performed by Kendrick Lamar, courtesy of Sony Music Publishing, Warner Chappell, Kobalt Music Publishing, and Universal Music Publishing. “While We’re Young” performed by Jhené Aiko, courtesy of Universal Music Publishing. “Symptom Unknown” performed by Maxwell, courtesy of Sony Music Publishing.

– Intermission –

Unfold
(2007)

Choreography by Robert Battle
Restaged by Kanji Segawa
Costume design by Jon Taylor
Lighting design by Lynda Erbs

Ashley Mayeux, Jeroboam Bozeman

Brandie Sutton, soprano
Damien Sneed*, piano
Amyr Joyner, violin 1
Edward W. Hardy, violin 2
Lelia-Michelle Walker, viola
Johnny Walker, cello

Support for the original production of Unfold was received from Elma Linz Kanefield.

Leadership support for this production of Unfold is provided by Pamela D. Zilly & John H. Schaefer.

This production of Unfold was made possible with generous support from Judith McDonough Kaminski & Joseph Kaminski. 

“Dupuis Le Jour” from Act III of Louise composed by Gustave Charpentier.

*Damien Sneed appears courtesy of Washington Performing Arts, which presents Sneed in the Terrace Theater on Friday, February 10, with soprano Jacqueline Echols and baritone Justin Austin.

– Pause–

Revelations
(1960)

Choreography by Alvin Ailey
Music: Traditional
Décor and Costumes by Ves Harper
Costume dresses for Move, Members, Move redesigned by Barbara Forbes
Lighting by Nicola Cernovitch

Pilgrim of Sorrow

  • I Been 'Buked (Music arranged by Hall Johnson*) The Company

  • Didn't My Lord Deliver Daniel (Music arranged by James Miller+) Solomon Dumas, Samantha Figgins, Caroline T. Dartey

  • Fix Me, Jesus (Music arranged by Hall Johnson*) Sarah Daley-Perdomo, Jermaine Terry

Take Me to the Water

  • Processional/Honor, Honor (Music adapted and arranged by Howard A. Roberts) Renaldo Maurice, Yazzmeen Laidler, Jau’mair Garland, Jeroboam Bozeman

  • Wade in the Water (Music adapted and arranged by Howard A. Roberts, “Wade in the Water” sequence by Ella Jenkins, “A Man Went Down to the River” is an original composition by Ella Jenkins) Belén Indhira Pereyra, Yannick Lebrun, Constance Stamatiou  

  • I Wanna Be Ready (Music arranged by James Miller+) Vernard J. Gilmore

Move, Members, Move

  • Sinner Man (Music adapted and arranged by Howard A. Roberts) Jeroboam Bozeman, Chalvar Monteiro, Kanji Segawa 

  • The Day is Past and Gone (Music arranged by Howard A. Roberts and Brother John Sellers) The Company

  • You May Run On (Music arranged by Howard A. Roberts and Brother John Sellers) The Company

  • Rocka My Soul in the Bosom of Abraham (Music arranged by Howard A. Roberts) The Company

*Used by arrangement with G. Schirmer, Inc., publisher and copyright owner.
+Used by special arrangement with Galaxy Music Corporation, New York City.

All performances of Revelations are permanently endowed by a generous gift from Donald L. Jonas in celebration of the birthday of his wife, Barbara, and her deep commitment to the Alvin Ailey American Dance Theater.

Thursday, February 9, 2023

Roy’s Joys
(1997, Ailey premiere 2022)

Choreography by Twyla Tharp
Music by Roy Eldridge
Staged by Shelley Washington
Assistant to Ms. Washington – Roger Jeffrey
Original Costume Design by Santo Loquasto
Lighting originally by Jennifer Tipton
Lighting Recreated by Roya Abab

I. Just Fooling
II. Une Petite Laitue
III. I Remember Harlem
IV. Baby Don’t Be Like That
V. L’isle Adam
VI. Oh Shut Up!
VII. Hollywood Pastime
VIII. Sweet Lorraine
IX. Tu Disais Qu’tu M’aimais

Deidre Rogan, Jacquelin Harris, Miranda Quinn, Sarah Daley-Perdomo,Patrick Coker, Chalvar Monteiro, Solomon Dumas, Christopher R. Wilson, James Gilmer

Roy’s Joys
World Premiere on 9/30/1997, Premiered by Tharp! Choreography by Twyla Tharp © Twyla Tharp

Major support of the Company premiere of Roy's Joys is made possible by Elaine & Larry Rothenberg.

In 1965 Twyla Tharp formed Twyla Tharp Dance and has created more than 125 works to date. More information about Twyla Tharp can be found at: www.twylatharp.org.

“Just Fooling” by Roy Eldridge. “Une Petite Laitue”, “I Remember Harlem”, “Baby Don’t Be Like That”, “L’isle Adam”, and “Tu Disais Qu’tu M’aimais” by Roy Eldridge with Benny Vasseur, Albert Ferreri, William Boucaya, Raymond Fol, Barney Spieler and Robert Barnet. “Oh Shut Up!” and “Hollywood Pastime” by Roy Eldridge with Don Byas, Claude Bolling, Guy de Fatto, and Armand Molinetti; all from Roy Eldrige Vol. II “French Cooking”

– Intermission –

Survivors
(1986)

Choreography by Alvin Ailey and Mary Barnett
Restaged by Masazumi Chaya
Music by Max Roach & Peter Phillips
Costumes by Toni-Leslie James
Original Décor by Douglas Grekin
Lighting Design by Tim Hunter

Especially for Nelson and Winnie Mandela whose determination inspires the survivor in us all.

Ghrai DeVore-Stokes, Vernard J. Gilmore, 
Christopher Taylor, Solomon Dumas,  Corrin Rachelle Mitchell, 
Courtney Celeste Spears, Samantha Figgins 

Major support of this new production of Survivors is made possible by Judith McDonough Kaminski and Joseph Kaminski, and Daria L. & Eric J. Wallach.

Mr. Ailey wishes to express his gratitude to Ms. James, Mr. Grekin, and Mr. Hunter for the generous contributions of their talents and artistry to this work.

“Triptych: Prayer/Protest/Peace” courtesy of Kobalt Music Publishing. “Survivors” used with permission from Peter Phillips.

– Intermission –

Revelations
(1960)

Choreography by Alvin Ailey
Music: Traditional
Décor and Costumes by Ves Harper
Costume dresses for Move, Members, Move redesigned by Barbara Forbes
Lighting by Nicola Cernovitch

Pilgrim of Sorrow

  • I Been 'Buked (Music arranged by Hall Johnson*) The Company

  • Didn't My Lord Deliver Daniel (Music arranged by James Miller+) Patrick Coker, Miranda Quinn, Hannah Alissa Richardson 

  • Fix Me, Jesus (Music arranged by Hall Johnson*) Corrin Rachelle Mitchell, James Gilmer

Take Me to the Water

  • Processional/Honor, Honor (Music adapted and arranged by Howard A. Roberts) Xavier Mack, Alisha Rena Peek, Christopher Taylor, Jau’mair Garland 

  • Wade in the Water (Music adapted and arranged by Howard A. Roberts, “Wade in the Water” sequence by Ella Jenkins, “A Man Went Down to the River” is an original composition by Ella Jenkins) Samantha Figgins, Jeroboam Bozeman, Courtney Celester Spears 

  • I Wanna Be Ready (Music arranged by James Miller+) Jermaine Terry

Move, Members, Move

  • Sinner Man (Music adapted and arranged by Howard A. Roberts) Christopher Taylor, Chalvar Monteiro, Kanji Segawa

  • The Day is Past and Gone (Music arranged by Howard A. Roberts and Brother John Sellers) The Company

  • You May Run On (Music arranged by Howard A. Roberts and Brother John Sellers) The Company

  • Rocka My Soul in the Bosom of Abraham (Music arranged by Howard A. Roberts) The Company

*Used by arrangement with G. Schirmer, Inc., publisher and copyright owner.
+Used by special arrangement with Galaxy Music Corporation, New York City.

All performances of Revelations are permanently endowed by a generous gift from Donald L. Jonas in celebration of the birthday of his wife, Barbara, and her deep commitment to the Alvin Ailey American Dance Theater.

Friday, February 10, 2023

In a Sentimental Mood
(2022)

Choreography by Jamar Roberts
Music by Duke Ellington and Rafiq Bhatia
Costumes & Décor by Jamar Roberts
Lighting by Brandon Stirling Baker

“Love does not begin and end the way we seem to think it does.
Love is a battle, love is a war; love is a growing up.”
–James Baldwin

Courtney Celeste Spears, Christopher R. Wilson 

The world premiere of In a Sentimental Mood is made possible with support from Maury & Joseph Bohan, Peter S. Croncota, The Ellen Jewett & Richard L. Kauffman New Works Endownment Fund, Tarell Alvin McCraney, and the Red Moose Charitable Fund.

Jamar Roberts (Miami, FL) was the Resident Choreographer of Alvin Ailey American Dance Theater from 2019-2022. Mr. Roberts made five works on the Company, all to critical acclaim: Members Don’t Get Weary (2016), Ode (2019), A Jam Session for Troubling Times (2020), Holding Space (2021), and In a Sentimental Mood (2022). He also set Gemeos on Ailey II. Mr. Roberts is a graduate of the New World School of the Arts and The Ailey School and has dance for Alvin Ailey American Dance Theater, Ailey II, and Complexions. Mr. Roberts won the 2016 Bessie Award for Outstanding Performer and has performed as a guest artist with the Royal Ballet in London. Commissions include Vail Dance Festival, Fall for Dance, The Juilliard School, BalletX, MoveNYC, New York City Ballet, and Works and Process at the Guggenheim where he created the film Cooped. The March on Washington Film Festival invited Mr. Roberts to create a tribute to John Lewis and he has also made a film for the LA Opera entitled The First Bluebird in the Morning. Mr. Roberts was a Director’s Fellow at NYU’s Center for Ballet and the Arts and was recently featured on the cover of Dance Magazine, previously having been on the cover in June 2013 and been named one of “25 to Watch” in 2007. He first joined the Company in 2002 and retired from dancing in 2021.

“There’s Something About an Old Love” by Lupin Fein, Will Hudson, Irving Mills, Used by Permission of Sony/ATV Harmony; “In a Sentimental Mood” by Duke Ellington, Used by Permission of Sony/ATV Harmony; “First Time I Ever Saw Your Face” by Ewan MacColl, Used by Permission of The Royalty Network, Inc.; “Lonely Woman” by Ornette Coleman, Used by Permission of Kobalt Music Publishing”; “Single Petal of a Rose” by Duke Ellington, Used by Permission of G. Schirmer Inc.

– Pause–

DUET
(1964, Ailey premiere 2022)

Choreography by Paul Taylor
Music by Josef Haydn
Staged for this performance by Carolyn Adams
Assisted by Rei Akazawa-Smith & Irving Amigon
Costumes by George Tacet
Lighting by Jennifer Tipton
Lighting re-created by Roya Abab

Jacquelin Harris, Renaldo Maurice 

First performed by Paul Taylor Dance Company in 1964.

Dance maker Paul Taylor (1930-2018) was a member of the pantheon that created America’s indigenous art of modern dance. He won acclaim for the vibrancy, relevance and power of his works, while offering cogent observations on life’s complexities and society’s thorniest issues. During Mr. Taylor's 64-year career he choreographed 147 dances that are performed by the Paul Taylor Dance Company, Taylor 2, and dance companies throughout the world. The Paul Taylor Dance Company has performed continuously around the globe since Mr. Taylor established it in 1954.

Excerpt from “The Seven Last Words of Christ” Sonata VII in E-flat major – Largo.

– Intermission –

Are You in Your Feelings?
(2022)

Choreography by Kyle Abraham
Music: Various Artists
Rehearsal Associate Stephanie Teraski
Costumes by Karen Young
Lighting by Dan Scully

Jeroboam Bozeman,Caroline T. Dartey, Patrick Coker, Jacquelin Harris,  
Yazzmeen Laidler, Xavier Mack, Alisha Rena Peek, Belén Indhira Pereyra,  
Hannah Alissa Richardson, Courtney Celeste Spears, Christopher Taylor, Jermaine Terry  

The creation of Are You in Your Feelings? is supported by commissioning funds from New York City Center.

The world premiere of Are You in Your Feelings? is made possible with major support from Michele & Timothy Barakett,
Melinda & Paul Pressler, Jeanne Greenberg Rohatyn & Nicolas S. Rohatyn New Works Endowment Fund,
and The Pamela D. Zilly & John H. Schaefer Endowment Fund.

Additional support was provided by an Anonymous supporter, The Fred Eychaner New Works Endowment Fund,
and The Kansas City Friends of Alvin Ailey—Sara and Bill Morgan New Works Endowment Fund.

Kyle Abraham and his choreography have been featured in Document Journal, Ebony, Kinfolk, O Magazine, Vogue, and Vogue UK, amongst other publications. Abraham is the proud recipient of a Princess Grace Statue Award (2018), Doris Duke Award (2016), and MacArthur Fellowship (2013). He currently serves as the Claude and Alfred Mann Endowed Professor in Dance at The University of Southern California Glorya Kaufman School of Dance. Abraham also sits on the advisory board for Dance Magazine and Hubbard Street Dance Chicago. He is a member of the American Academy of Arts and Sciences, the inaugural Black Genius Brain Trust, and the inaugural cohort of the Dorchester Industries Experimental Design Lab, a partnership between the Prada Group, Theaster Gates Studio, Dorchester Industries, and Rebuild Foundation. His company, A.I.M by Kyle Abraham, is widely considered “one of the most consistently excellent troupes working today” (The New York Times). Led by Abraham’s innovative vision, the work of A.I.M is galvanized by Black culture and history and grounded in a conglomeration of unique perspectives. Abraham has been commissioned by dance companies including Alvin Ailey American Dance Theater, Hubbard Street Dance Chicago, The National Ballet of Cuba, New York City Ballet, and The Royal Ballet. Abraham has also choreographed for many of the leading dancers of our time, including Misty Copeland, Calvin Royal III, and Wendy Whelan. For more information, visit aimbykyleabraham.org

“I Love You” is licensed under CC BY-NC-SA 3.0. “I Only Have Eyes for You” performed by The Flamingos, courtesy of Warner Chappell. “A Breaux's Tale” and “Roster” performed by Jazmine Sullivan, courtesy of Warner Chappell and Kobalt Music Publishing. “Forgive Them Father” performed by Lauryn Hill, courtesy of Sony Music Publishing. “That’s How You Feel” performed by Drake, courtesy of Sony Music Publishing. “I’ll Call U Back” Performed by Erykah Badu, courtesy of Sony Music Publishing and Universal Music Publishing. “Woman to Woman” performed by Shirley Brown, courtesy of Universal Music Publishing. “Session 32” performed by Summer Walker, courtesy of Warner Chappell. “LOVE. ft. Zacari.” performed by Kendrick Lamar, courtesy of Sony Music Publishing, Warner Chappell, Kobalt Music Publishing, and Universal Music Publishing. “While We’re Young” performed by Jhené Aiko, courtesy of Universal Music Publishing. “Symptom Unknown” performed by Maxwell, courtesy of Sony Music Publishing.

– Intermission –

Revelations
(1960)

Choreography by Alvin Ailey
Music: Traditional
Décor and Costumes by Ves Harper
Costume dresses for Move, Members, Move redesigned by Barbara Forbes
Lighting by Nicola Cernovitch

Pilgrim of Sorrow

  • I Been 'Buked (Music arranged by Hall Johnson*) The Company

  • Didn't My Lord Deliver Daniel (Music arranged by James Miller+) Xavier Mack, Alisha Rena Peek, Corrin Rachelle Mitchell

  • Fix Me, Jesus (Music arranged by Hall Johnson*) Sarah Daley-Perdomo, Yannick Lebrun

Take Me to the Water

  • Processional/Honor, Honor (Music adapted and arranged by Howard A. Roberts) Renaldo Maurice, Yazzmeen Laidler Christopher Taylor, Jeroboam Bozeman

  • Wade in the Water (Music adapted and arranged by Howard A. Roberts, “Wade in the Water” sequence by Ella Jenkins, “A Man Went Down to the River” is an original composition by Ella Jenkins) Belén Indhira Pereyra, Jermaine Terry, Courtney Celeste Spears

  • I Wanna Be Ready (Music arranged by James Miller+) Vernard J. Gilmore

Move, Members, Move

  • Sinner Man (Music adapted and arranged by Howard A. Roberts) Jeroboam Bozeman, Christopher R. Wilson, Kanji Segawa

  • The Day is Past and Gone (Music arranged by Howard A. Roberts and Brother John Sellers) The Company

  • You May Run On (Music arranged by Howard A. Roberts and Brother John Sellers) The Company

  • Rocka My Soul in the Bosom of Abraham (Music arranged by Howard A. Roberts) The Company

*Used by arrangement with G. Schirmer, Inc., publisher and copyright owner.
+Used by special arrangement with Galaxy Music Corporation, New York City.

All performances of Revelations are permanently endowed by a generous gift from Donald L. Jonas in celebration of the birthday of his wife, Barbara, and her deep commitment to the Alvin Ailey American Dance Theater.

Saturday Matinee, February 11, 2023

Night Creature
(1974)

Choreography by Alvin Ailey
Restaged by Masazumi Chaya
Music by Duke EllingtonCostumes by Jane Greenwood 
Costumes recreated by Barbara Forbes 
Lighting by Chenault Spence 

“Night creatures, unlike stars, do not come OUT at night—they come ON, each thinking that before the night is out he or she will be the star.” —Duke Ellington

Movement I
Samantha Figgins, Clifton Brown & The Company 

Movement II
Samantha Figgins, Jermaine Terry, 
Miranda Quinn, Christopher R. Wilson, Alisha Rena Peek, Patrick Coker, 
Ashley Mayeux, James Gilmer, Caroline T. Dartey, Jau’mair Garland, 
Deidre Rogan, Xavier Mack, Hannah Alissa Richardson, Christopher Taylor 

Movement III
Samantha Figgins, Clifton Brown & The Company 

This production was made possible, in part, by a grant from Ford Foundation and with public funds from  
the National Endowment for the Arts.

Fabric dyeing of costumes by Elissa Tatigikis Iberti.

Night Creature used by arrangement with G. Schirmer, Inc., publisher and copyright owner.

– PAUSE –

Cry
(1971)

Choreography by Alvin Ailey
Restaged by Masazumi Chaya
Coaching by Donna Wood Sanders
Music by Alice Coltrane, Laura Nyro & Chuck Griffin
Costume by A. Christina Giannini
Lighting by Chenault Spence

For all Black women everywhere – especially our mothers.

Ghrai DeVore-Stokes 

Cry is made possible with generous support from Judith McDonough Kaminski and Joseph Kaminski. 

The original production of Cry was made possible, in part, by a grant from the Ford Foundation. 

“Something About John Coltrane” written by Alice Coltrane. Published by Jowcol Music. “Been on a Train” 100% Laura Nyro (BMI) – EMI Blackwood Music Inc. (BMI). © 1971 EMI Blackwood Music Inc. All rights administered by Sony/ATV Music Publishing LLC., 424 Church Street, Suite 1200, Nashville, TN 37219. All rights reserved. Used by permission. “Right On, Be Free” written by Chuck Griffin, performed by The Voices of East Harlem. Used with permission of the publisher, Really Together Music. 

– Intermission –

The River
(1970, Ailey premiere 1981) 

Choreography by Alvin Ailey 
Restaged by Matthew Rushing, Ronni Favors & Clifton Brown 
Music by Duke Ellington
Original Music Coordination: Martha Johnson
Costumes by A. Christina Giannini
Lighting by Chenault Spence

"...of birth...of the wellspring of life...of reaffirmation...of the heavenly anticipation of rebirth..."
— Duke Ellington

Spring
Jermaine Terry, Alisha Rena Peek, Xavier Mack, Hannah Alissa Richardson, 
James Gilmer, Deidre Rogan, Christopher R. Wilson, Yazzmeen Laidler, 
Christopher Taylor, Corrin Rachelle Mitchell, Jau’mair Garland, Miranda Quinn, 
Patrick Coker, Caroline T. Dartey, Solomon Dumas 

Meander
Corrin Rachelle Mitchell, Christopher R. Wilson, James Gilmer 

Giggling Rapids
Belén Indhira Pereyra, Renaldo Maurice 

Lake
Samantha Figgins, Jermaine Terry & The Company 

Falls
Solomon Dumas, Patrick Coker, James Gilmer, Kanji Segawa 

Vortex
Miranda Quinn 

Riba (Mainstream)
Xavier Mack & The Company 

Twin Cities
Sarah Daley-Perdomo, Jeroboam Bozeman & The Company 

Generous support for this production of The River was provided by Celestine & Howard Campbell,
Denise Littlefield Sobel, and The Jaharis Family Foundation. 

The original Ailey production of The River was made possible, in part, with public funds from the National Endowment for the Arts and the New York State Council on the Arts, a State agency, and by a grant from Ford Foundation. 

Music used by arrangement with G. Schirmer, Inc., publisher and copyright owner. 

– Intermission –

Revelations
(1960)

Choreography by Alvin Ailey
Music: Traditional
Décor and Costumes by Ves Harper
Costume dresses for Move, Members, Move redesigned by Barbara Forbes
Lighting by Nicola Cernovitch

Pilgrim of Sorrow

  • I Been 'Buked (Music arranged by Hall Johnson*) The Company

  • Didn't My Lord Deliver Daniel (Music arranged by James Miller+) Christopher Taylor, Deidre Rogan,Caroline T. Dartey 

  • Fix Me, Jesus (Music arranged by Hall Johnson*) Ashley Mayeux, Jeroboam Bozeman 

Take Me to the Water

  • Processional/Honor, Honor (Music adapted and arranged by Howard A. Roberts) Patrick Coker, Alisha Rena Peek,Christopher Taylor, Jau’mair Garland 

  • Wade in the Water (Music adapted and arranged by Howard A. Roberts, “Wade in the Water” sequence by Ella Jenkins, “A Man Went Down to the River” is an original composition by Ella Jenkins) Yazzmeen Laidler,Renaldo Maurice,Corrin Rachelle Mitchell 

  • I Wanna Be Ready (Music arranged by James Miller+) Jermaine Terry

Move, Members, Move

  • Sinner Man (Music adapted and arranged by Howard A. Roberts) Solomon Dumas, Jau’mair Garland,Xavier Mack

  • The Day is Past and Gone (Music arranged by Howard A. Roberts and Brother John Sellers) The Company

  • You May Run On (Music arranged by Howard A. Roberts and Brother John Sellers) The Company

  • Rocka My Soul in the Bosom of Abraham (Music arranged by Howard A. Roberts) The Company

*Used by arrangement with G. Schirmer, Inc., publisher and copyright owner.
+Used by special arrangement with Galaxy Music Corporation, New York City.

All performances of Revelations are permanently endowed by a generous gift from Donald L. Jonas in celebration of the birthday of his wife, Barbara, and her deep commitment to the Alvin Ailey American Dance Theater.

Saturday Evening, February 11, 2023

Are You in Your Feelings?
(2022)

Choreography by Kyle Abraham
Music: Various Artists
Rehearsal Associate Stephanie Teraski
Costumes by Karen Young
Lighting by Dan Scully

Caroline T. Dartey, Ghrai DeVore-Stokes, Christopher Taylor, Belén Indhira Pereyra,
Jeroboam Bozeman, Jacquelin Harris, Jermaine Terry, Xavier Mack, Yazzmeen Laidler,
Patrick Coker, Miranda Quinn, Alisha Rena Peek

 

The creation of Are You in Your Feelings? is supported by commissioning funds from New York City Center.

The world premiere of Are You in Your Feelings? is made possible with major support from Michele & Timothy Barakett,
Melinda & Paul Pressler, Jeanne Greenberg Rohatyn & Nicolas S. Rohatyn New Works Endowment Fund,
and The Pamela D. Zilly & John H. Schaefer Endowment Fund.

Additional support was provided by an Anonymous supporter, The Fred Eychaner New Works Endowment Fund,
and The Kansas City Friends of Alvin Ailey—Sara and Bill Morgan New Works Endowment Fund.

Kyle Abraham and his choreography have been featured in Document Journal, Ebony, Kinfolk, O Magazine, Vogue, and Vogue UK, amongst other publications. Abraham is the proud recipient of a Princess Grace Statue Award (2018), Doris Duke Award (2016), and MacArthur Fellowship (2013). He currently serves as the Claude and Alfred Mann Endowed Professor in Dance at The University of Southern California Glorya Kaufman School of Dance. Abraham also sits on the advisory board for Dance Magazine and Hubbard Street Dance Chicago. He is a member of the American Academy of Arts and Sciences, the inaugural Black Genius Brain Trust, and the inaugural cohort of the Dorchester Industries Experimental Design Lab, a partnership between the Prada Group, Theaster Gates Studio, Dorchester Industries, and Rebuild Foundation. His company, A.I.M by Kyle Abraham, is widely considered “one of the most consistently excellent troupes working today” (The New York Times). Led by Abraham’s innovative vision, the work of A.I.M is galvanized by Black culture and history and grounded in a conglomeration of unique perspectives. Abraham has been commissioned by dance companies including Alvin Ailey American Dance Theater, Hubbard Street Dance Chicago, The National Ballet of Cuba, New York City Ballet, and The Royal Ballet. Abraham has also choreographed for many of the leading dancers of our time, including Misty Copeland, Calvin Royal III, and Wendy Whelan. For more information, visit aimbykyleabraham.org

“I Love You” is licensed under CC BY-NC-SA 3.0. “I Only Have Eyes for You” performed by The Flamingos, courtesy of Warner Chappell. “A Breaux's Tale” and “Roster” performed by Jazmine Sullivan, courtesy of Warner Chappell and Kobalt Music Publishing. “Forgive Them Father” performed by Lauryn Hill, courtesy of Sony Music Publishing. “That’s How You Feel” performed by Drake, courtesy of Sony Music Publishing. “I’ll Call U Back” Performed by Erykah Badu, courtesy of Sony Music Publishing and Universal Music Publishing. “Woman to Woman” performed by Shirley Brown, courtesy of Universal Music Publishing. “Session 32” performed by Summer Walker, courtesy of Warner Chappell. “LOVE. ft. Zacari.” performed by Kendrick Lamar, courtesy of Sony Music Publishing, Warner Chappell, Kobalt Music Publishing, and Universal Music Publishing. “While We’re Young” performed by Jhené Aiko, courtesy of Universal Music Publishing. “Symptom Unknown” performed by Maxwell, courtesy of Sony Music Publishing.

– Intermission –

Survivors
(1986)

Choreography by Alvin Ailey and Mary Barnett
Restaged by Masazumi Chaya
Music by Max Roach & Peter Phillips
Costumes by Toni-Leslie James
Original Décor by Douglas Grekin
Lighting Design by Tim Hunter

Especially for Nelson and Winnie Mandela whose determination inspires the survivor in us all.

Jacquelin Harris, Vernard J. Gilmore,Christopher Taylor, Solomon Dumas, Corrin Rachelle Mitchell,  
Caroline T. Dartey, Samantha Figgins

Major support of this new production of Survivors is made possible by Judith McDonough Kaminski and Joseph Kaminski, and Daria L. & Eric J. Wallach.

Mr. Ailey wishes to express his gratitude to Ms. James, Mr. Grekin, and Mr. Hunter for the generous contributions of their talents and artistry to this work.

“Triptych: Prayer/Protest/Peace” courtesy of Kobalt Music Publishing. “Survivors” used with permission from Peter Phillips.

– Intermission –

Revelations
(1960)

Choreography by Alvin Ailey
Music: Traditional
Décor and Costumes by Ves Harper
Costume dresses for Move, Members, Move redesigned by Barbara Forbes
Lighting by Nicola Cernovitch

Pilgrim of Sorrow

  • I Been 'Buked (Music arranged by Hall Johnson*) The Company

  • Didn't My Lord Deliver Daniel (Music arranged by James Miller+) Solomon Dumas, Miranda Quinn, Ashley Mayeux

  • Fix Me, Jesus (Music arranged by Hall Johnson*) Sarah Daley-Perdomo, Jermaine Terry

Take Me to the Water

  • Processional/Honor, Honor (Music adapted and arranged by Howard A. Roberts) Xavier Mack, Alisha Rena Peek,Jau’mair Garland, Christopher Taylor 

  • Wade in the Water (Music adapted and arranged by Howard A. Roberts, “Wade in the Water” sequence by Ella Jenkins, “A Man Went Down to the River” is an original composition by Ella Jenkins) Belén Indhira Pereyra, Renaldo Maurice, Corrin Rachelle Mitchell

  • I Wanna Be Ready (Music arranged by James Miller+) Yannick Lebrun

Move, Members, Move

  • Sinner Man (Music adapted and arranged by Howard A. Roberts) James Gilmer, Jau’mair Garland, Patrick Coker

  • The Day is Past and Gone (Music arranged by Howard A. Roberts and Brother John Sellers) The Company

  • You May Run On (Music arranged by Howard A. Roberts and Brother John Sellers) The Company

  • Rocka My Soul in the Bosom of Abraham (Music arranged by Howard A. Roberts) The Company

*Used by arrangement with G. Schirmer, Inc., publisher and copyright owner.
+Used by special arrangement with Galaxy Music Corporation, New York City.

All performances of Revelations are permanently endowed by a generous gift from Donald L. Jonas in celebration of the birthday of his wife, Barbara, and her deep commitment to the Alvin Ailey American Dance Theater.

Sunday, February 12, 2023

Night Creature
(1974)

Choreography by Alvin Ailey
Restaged by Masazumi Chaya
Music by Duke EllingtonCostumes by Jane Greenwood 
Costumes recreated by Barbara Forbes 
Lighting by Chenault Spence 

“Night creatures, unlike stars, do not come OUT at night—they come ON, each thinking that before the night is out he or she will be the star.” —Duke Ellington

Movement I
Samantha Figgins, Clifton Brown & The Company 

Movement II
Samantha Figgins, Jermaine Terry, 
Miranda Quinn, Christopher R. Wilson, Alisha Rena Peek, Patrick Coker, 
Ashley Mayeux, James Gilmer, Caroline T. Dartey, Solomon Dumas, 
Deidre Rogan, Xavier Mack, Hannah Alissa Richardson, Christopher Taylor 

Movement III
Samantha Figgins, Clifton Brown & The Company 

This production was made possible, in part, by a grant from Ford Foundation and with public funds from  
the National Endowment for the Arts.

Fabric dyeing of costumes by Elissa Tatigikis Iberti.

Night Creature used by arrangement with G. Schirmer, Inc., publisher and copyright owner.

– PAUSE –

Cry
(1971)

Choreography by Alvin Ailey
Restaged by Masazumi Chaya
Coaching by Donna Wood Sanders
Music by Alice Coltrane, Laura Nyro & Chuck Griffin
Costume by A. Christina Giannini
Lighting by Chenault Spence

For all Black women everywhere – especially our mothers.

Constance Stamatiou 

Cry is made possible with generous support from Judith McDonough Kaminski and Joseph Kaminski. 

The original production of Cry was made possible, in part, by a grant from the Ford Foundation. 

“Something About John Coltrane” written by Alice Coltrane. Published by Jowcol Music. “Been on a Train” 100% Laura Nyro (BMI) – EMI Blackwood Music Inc. (BMI). © 1971 EMI Blackwood Music Inc. All rights administered by Sony/ATV Music Publishing LLC., 424 Church Street, Suite 1200, Nashville, TN 37219. All rights reserved. Used by permission. “Right On, Be Free” written by Chuck Griffin, performed by The Voices of East Harlem. Used with permission of the publisher, Really Together Music. 

– Intermission –

The River
(1970, Ailey premiere 1981) 

Choreography by Alvin Ailey 
Restaged by Matthew Rushing, Ronni Favors & Clifton Brown 
Music by Duke Ellington
Original Music Coordination: Martha Johnson
Costumes by A. Christina Giannini
Lighting by Chenault Spence

"...of birth...of the wellspring of life...of reaffirmation...of the heavenly anticipation of rebirth..."
— Duke Ellington

Spring
Jermaine Terry, Alisha Rena Peek, Xavier Mack, Hannah Alissa Richardson, 
James Gilmer, Deidre Rogan, Christopher R. Wilson, Yazzmeen Laidler,  
Christopher Taylor, Corrin Rachelle Mitchell, Jau’mair Garland, Miranda Quinn, 
Patrick Coker, Caroline T. Dartey, Solomon Dumas 

Meander
Corrin Rachelle Mitchell, Christopher R. Wilson, James Gilmer 

Giggling Rapids
Belén Indhira Pereyra, Renaldo Maurice 

Lake
Samantha Figgins, Jermaine Terry &  The Company 

Falls
Solomon Dumas, Patrick Coker, James Gilmer, Kanji Segawa 

Vortex
Miranda Quinn 

Riba (Mainstream)
Xavier Mack & The Company 

Twin Cities
Sarah Daley-Perdomo, Jeroboam Bozeman & The Company 

Generous support for this production of The River was provided by Celestine & Howard Campbell,
Denise Littlefield Sobel, and The Jaharis Family Foundation. 

The original Ailey production of The River was made possible, in part, with public funds from the National Endowment for the Arts and the New York State Council on the Arts, a State agency, and by a grant from Ford Foundation. 

Music used by arrangement with G. Schirmer, Inc., publisher and copyright owner. 

– Intermission –

Revelations
(1960)

Choreography by Alvin Ailey
Music: Traditional
Décor and Costumes by Ves Harper
Costume dresses for Move, Members, Move redesigned by Barbara Forbes
Lighting by Nicola Cernovitch

Pilgrim of Sorrow

  • I Been 'Buked (Music arranged by Hall Johnson*) The Company

  • Didn't My Lord Deliver Daniel (Music arranged by James Miller+) Christopher Taylor, Deidre Rogan,Caroline T. Dartey

  • Fix Me, Jesus (Music arranged by Hall Johnson*) Ashley Mayeux, Jeroboam Bozeman

Take Me to the Water

  • Processional/Honor, Honor (Music adapted and arranged by Howard A. Roberts) Patrick Coker, Alisha Rena Peek,Christopher Taylor, Jau’mair Garland 

  • Wade in the Water (Music adapted and arranged by Howard A. Roberts, “Wade in the Water” sequence by Ella Jenkins, “A Man Went Down to the River” is an original composition by Ella Jenkins) Yazzmeen Laidler, Renaldo Maurice,Corrin Rachelle Mitchell

  • I Wanna Be Ready (Music arranged by James Miller+) Jermaine Terry

Move, Members, Move

  • Sinner Man (Music adapted and arranged by Howard A. Roberts) Solomon Dumas, Jau’mair Garland, Xavier Mack

  • The Day is Past and Gone (Music arranged by Howard A. Roberts and Brother John Sellers) The Company

  • You May Run On (Music arranged by Howard A. Roberts and Brother John Sellers) The Company

  • Rocka My Soul in the Bosom of Abraham (Music arranged by Howard A. Roberts) The Company

*Used by arrangement with G. Schirmer, Inc., publisher and copyright owner.
+Used by special arrangement with Galaxy Music Corporation, New York City.

All performances of Revelations are permanently endowed by a generous gift from Donald L. Jonas in celebration of the birthday of his wife, Barbara, and her deep commitment to the Alvin Ailey American Dance Theater.

Patrons are requested to silence cell phones and other electronic devices during performances.

The taking of photographs and the use of recording equipment are not allowed in this venue.

Terms and Conditions

All events and artists subject to change without prior notice.

Sponsors

Alvin Ailey Tour Sponsor and Kennedy Center Sponsor

Meet the Artists

  • Alvin Ailey American Dance Theater

    When Alvin Ailey and a small group of African-American dancers took the stage on March 30, 1958 at New York City’s 92nd Street Y, the engagement was for one night only, but it turned out to be the start of a new era in the arts. Ailey envisioned a company dedicated to enriching the American modern dance heritage and preserving the uniqueness of the African-American cultural experience. He became one of the trailblazers of modern dance, and the work of his Company grew to encompass education, community outreach, and cultural diplomacy. To date, the Company has gone on to perform for an estimated 25 million people at theaters in 48 states and 71 countries on six continents—as well as millions more through television, film, and online. More than 270 works by over 100 choreographers have been part of the Ailey repertory. In 2008, a U.S. Congressional resolution designated the Company as “a vital American cultural ambassador to the world.” Before his untimely death in 1989, Ailey named Judith Jamison as his successor, and over the next 21 years, she brought the Company to unprecedented success. Jamison, in turn, personally selected Robert Battle to succeed her in 2011, and The New York Times declared he “has injected the company with new life.”

    Alvin Ailey American Dance Theater gratefully acknowledges The Joan & Sandy Weill Global Ambassador Fund, which provides vital support for Ailey’s national and international tours.

  • Founder

    Alvin Ailey

    Alvin Ailey was born on January 5, 1931, in Rogers, Texas. His experiences of life in the rural South would later inspire some of his most memorable works. He was introduced to dance in Los Angeles by performances of the Ballet Russe de Monte Carlo and the Katherine Dunham Dance Company, and his formal dance training began with an introduction to Lester Horton’s classes by his friend Carmen de Lavallade. Horton, the founder of one of the first racially integrated dance companies in the United States, became a mentor for Ailey as he embarked on his professional career. After Horton’s death in 1953, Ailey became director of the Lester Horton Dance Theater and began to choreograph his own works.

  • Artistic Director

    Robert Battle

    Robert Battle became Artistic Director of Alvin Ailey American Dance Theater in July 2011 after being personally selected by Judith Jamison, making him only the third person to head the Company since it was founded in 1958. Battle has a longstanding association with the Ailey organization. A frequent choreographer and artist-in-residence at Ailey since 1999, he has set many of his works on Alvin Ailey American Dance Theater and Ailey II, and at The Ailey School.

  • ASSOCIATE ARTISTIC DIRECTOR

    Matthew Rushing

    Matthew Rushing was born in Los Angeles, California. He began his dance training with Kashmir Blake in Inglewood, California, and continued his training at the Los Angeles County High School for the Arts. He is the recipient of a Spotlight Award and a Dance Magazine Award and was named a Presidential Scholar in the Arts. He was a scholarship student at The Ailey School and later became a member of Ailey II.

  • Artistic Director Emerita

    Judith Jamison

    Judith Jamison joined Alvin Ailey American Dance Theater in 1965 and quickly became an international star. Over the following 15 years, Ailey created some of his most enduring roles for her, most notably the tour-de-force solo Cry. During the 1970s and 80s she appeared as a guest artist with ballet companies all over the world, starred in the hit Broadway musical Sophisticated Ladies, and formed her own company, The Jamison Project. She returned to Alvin Ailey American Dance Theater in 1989 when Ailey asked her to succeed him as Artistic Director.

  • REHEARSAL DIRECTOR

    Ronni Favors

    Ronni Favors is from Iowa City, Iowa. After studying at the National Music Camp in Interlochen, Michigan, with the Camp Scholarship, she continued her training at The Ailey School as a Fellowship student. Favors was a member of Ailey II, Alvin Ailey American Dance Theater, and the Lar Lubovitch Dance Company, and a recipient of the Min-On Art Award.

  • ASSISTANT REHEARSAL DIRECTOR

    Clifton Brown

    Clifton Brown, from Goodyear, Arizona, began his dance training at Take 5 Dance Academy and continued in the first class of the Ailey/Fordham BFA in Dance program. Brown began his professional career when he joined the Ailey company in 1999 and served as choreographic assistant to Judith Jamison. He has also danced with Earl Mosley's Diversity of Dance, Lar Lubovitch Dance Company, and was a founding member and rehearsal director for Jessica Lang Dance. He was nominated in the U.K. for a Critics Circle National Dance Award for Best Male Dancer and received a Black Theater Arts Award as well as a New York Dance and Performance (“Bessie”) Award. As a guest artist, Brown has performed with Miami City Ballet, Rome Opera Ballet, Nevada Ballet, and Parsons Dance. He has set the work of Alvin Ailey, Earl Mosley, and Jessica Lang on various companies around the world. Television appearances as a guest artist include So You Think You Can Dance and Dancing With The Stars. He has had the privilege of performing at the White House for President Obama. Brown became Assistant Rehearsal Director in 2019.

  • EXECUTIVE DIRECTOR

    Bennett Rink

    Bennett Rink became Executive Director in 2013. Rink first joined Ailey as Manager of Special Events in 1994, became Development Director in 1998, and then worked as Senior Director of Development and External Affairs from 2007 to 2012. In his tenure overseeing Ailey’s development and fundraising efforts, Rink led a $75 million capital campaign supporting Ailey’s first permanent home, The Joan Weill Center for Dance, which opened in 2005, and established an endowment to support major program areas.

Who's Who in the Company

  • Jeroboam Bozeman

    Jeroboam Bozeman (Brooklyn, NY) began his training under Ruth Sistaire at the Ronald Edmonds Learning Center. He was granted full scholarships at the Joffrey Ballet School and Dance Theatre of Harlem. Bozeman is a gold-medalist of the NAACP ACT-SO Competition in Dance.

    Jeroboam Bozeman
  • Khalia Campbell

    Khalia Campbell (Bronx, NY) is a graduate of Fiorello H. LaGuardia High School of Music & Art and Performing Arts. She began her formal dance training at Uptown Dance Academy. Campbell also studied at Dance Theatre of Harlem and as a scholarship student at The Ailey School. In 2012, she performed in Elton John and Tim Rice’s Broadway musical Aida (international tour in Taiwan).

  • Patrick Coker

    Patrick Coker (Chester, VA) was awarded the American Ballet Theatre’s National Trainee Scholarship from 2008 to 2010. In May 2014, Coker graduated from the Ailey/Fordham BFA Program in Dance, where he apprenticed with Ailey II in his final year. After graduation, he spent a year dancing for Cedar Lake Contemporary Ballet, and then went on to join Jessica Lang Dance for three seasons. He has also performed with The Mark Morris Dance Group in The Hard Nut and L’Allegro, il Penseroso ed il Moderato, Earl Mosley’s Diversity of Dance, HopeBoykinDance and LA-based BODYTRAFFIC. Coker joined the Company in 2019. Find him on Instagram @pcoke

  • Sarah Daley-Perdomo

    Sarah Daley-Perdomo (South Elgin, IL) began her training at the Faubourg School of Ballet in Illinois under the direction of Watmora Casey and Tatyana Mazur. She is a 2009 graduate of the Ailey/Fordham BFA Program in Dance and trained at institutions such as the Kirov Academy, National Ballet School of Canada, The San Francisco Conservatory of Dance, and intensives at Ballet Camp Illinois and Ballet Adriatico in Italy. Daley-Perdomo was honored to be highlighted in Dance Magazine’s “On the Rise” feature in 2014, and to perform in Wayne McGregor’s Chroma for the filming of Lincoln Center at the Movies: Great American Dance. She is a recipient of a Youth America Grand Prix Award and an ARTS Foundation Award. She was a member of Ailey II and joined the Company in 2011.

  • Caroline T. Dartey

    Caroline T. Dartey (Geneva, Switzerland) trained in rhythmic gymnastics in her hometown at the age of five, eventually rising to national and international levels and becoming the Swiss champion in her category from 2009 to 2011. She later began dancing at the Conservatoire Populaire de Musique, Danse et Théâtre of Geneva. Dartey also trained at The Ailey School as a scholarship student and performed in Alvin Ailey’s Memoria during Ailey’s 2017 New York City Center season.

  • Ghrai DeVore-Stokes

    Ghrai DeVore-Stokes (Washington, D.C.) trained at the Kirov Academy, Ballet Chicago, Deeply Rooted Dance Theater, American Ballet Theatre, and Alonzo King LINES Ballet. She began her professional career with Chicago-based dance company Hubbard Street 2, and was a member of Deeply Rooted Dance Theater, Deeply Rooted Dance Theater 2, DanceWorks Chicago, and Ailey II.

  • Solomon Dumas

    Solomon Dumas (Chicago, IL) (he, him, his) was introduced to dance through AileyCamp. He later began his formal training at The Chicago Academy for the Arts and the Russell Talbert Dance Studio, where he received his most influential training. Dumas studied at New World School of the Arts and was a fellowship Level 1 student at The Ailey School. He has performed with companies including Garth Fagan Dance; Ronald K. Brown/Evidence, A Dance Company; and Labyrinth Dance Theater and was a member of Ailey II. Dumas joined the Company in 2016.

  • Samantha Figgins

    Samantha Figgins (Washington, D.C.) began dancing at Duke Ellington School of the Arts under the tutelage of Charles Auggins and Sandra Fortune-Greene and attended summer intensives at Dance Theatre of Harlem under the direction of Arthur Mitchell. She continued her education at SUNY Purchase Conservatory of Dance. There, she performed works by George Balanchine, Bill T. Jones, Paul Taylor, and Twyla Tharp.

  • Jau’mair Garland

    Jau’mair Garland (Pittsburgh, PA) began his dance training at a small studio in Pittsburgh before attending his alma mater, Pittsburgh Creative and Performing Arts 6-12, in eighth grade. While attending CAPA, he joined Reed Dance II under the direction of Greer Reed, and simultaneously refined his technique at Ballet Academy of Pittsburgh under the direction of Steven and Lindsay Piper. In 2020, Garland was named a National YoungArts winner in Modern/Contemporary. He is a current student at the USC Glorya Kaufman School of Dance, where he will graduate in 2024. Garland wishes to thank all of his teachers and mentors who have aided in his artistic journey. This is his first season with the Company.

  • James Gilmer

    James Gilmer (Pittsburgh, PA) trained at Pittsburgh Ballet Theatre School and the Pittsburgh Creative and Performing Arts School. After graduating, he performed with Texture Contemporary Ballet and joined Cincinnati Ballet in 2011. While dancing with the Cincinnati Ballet for six seasons, Gilmer was promoted to Soloist in 2015 and performed works by Victoria Morgan, Amy Seiwert, Septime Webre, Ohad Naharin, Val Caniparoli, Annabelle Lopez Ochoa, Edwaard Liang, Jennifer Archibald, and George Balanchine, to name a few.

  • Vernard J. Gilmore

    Vernard J. Gilmore (Chicago, IL) began his training at Curie Performing and Creative Arts High School in Chicago under Diane Holda. He later studied at the Joseph Holmes Chicago Dance Theater with Harriet Ross, Marquita Levy, and Emily Stein. He received first place in the all-city NAACP ACT-SO competition in 1993.

  • Ashley Kaylynn Green

    Ashley Kaylynn Green (Charleston, SC) began her training at Columbia City Jazz where she found her love for dance. She trained in a variety of styles including ballet, modern, jazz, tap, and hip-hop. In 2020, Green received her BFA in Dance from Point Park University in Pittsburgh, Pennsylvania, under the direction of Garfield Lemonius.

  • Jacquelin Harris

    Jacquelin Harris (Charlotte, NC) began her dance training at Dance Productions Studios under the direction of Lori Long. Harris received a silver ARTS award from the National Foundation for the Advancement of the Arts and was a Presidential Scholar in the Arts semifinalist. She graduated with honors from the Ailey/Fordham BFA Program in Dance.

  • Michael Jackson, Jr.

    Michael Jackson, Jr. (New Orleans, LA) began his dance training at age 14 at the Duke Ellington School of the Arts in Washington, D.C., under the direction of Charles Augins. He became a member of Dance Theatre of Harlem Dancing through Barriers Ensemble in 2005. In 2006, he joined Dallas Black Dance Theatre, and in 2008 joined PHILADANCO!, where he also worked as artistic director of D3. Jackson joined the Company in 2011 and rejoined in 2015.

  • Yazzmeen Laidler

    Yazzmeen Laidler (Miami, FL) graduated from New World School of the Arts. She trained at Traci Young-Bryon’s Young Contemporary Dance Theatre and The Ailey School summer intensive. Laidler received her BFA from The University of the Arts and was a company member of Eleone Dance Theatre.

  • Yannick Lebrun

    Yannick Lebrun (Cayenne, French Guiana) began training in his native country at the Adaclam School under the guidance of Jeanine Verin. After graduating high school in 2004, he moved to New York City to study at The Ailey School as a scholarship student. Lebrun was named one of Dance Magazine’s “25 to Watch” in 2011, and in 2013 France-Amérique magazine highlighted him as one of the 50 most talented French people in the United States. 

  • Xavier Mack

    XAVIER MACK (Washington, D.C.) began his dance training at Divine Dance Institute in Capitol Heights, Maryland. He received his BA in Modern Language & Linguistics from the University of Maryland-Baltimore County (UMBC). In 2017, Mack joined Dallas Black Dance Theatre where he performed works by Hope Boykin, Norbert De La Cruz III, Dianne McIntyre, and Matthew Rushing. Mack joined the Company in 2022.

    Xavier Mack
  • Renaldo Maurice

    Renaldo Maurice (Gary, IN) began his training with Tony Washington and graduated from Talent Unlimited High School. He attended Emerson School for Visual and Performing Arts, studying with Larry Brewer. Maurice was a scholarship student at The Ailey School, Ballet Chicago, Deeply Rooted Dance Theater, and Martha Graham School of Contemporary Dance.

  • Ashley Mayeux

    Ashley Mayeux (Houston, TX) began her dance training at the High School for Performing and Visual Arts and graduated cum laude with a BFA from SUNY Purchase. Mayeux continued her studies at the Dance Theatre of Harlem and went on to perform in the tour of the Broadway musical Aida. She has been featured in publications including The New York Times, The Los Angeles Times, Pointe, and Dance Magazine.

  • Corrin Rachelle Mitchell

    Corrin Rachelle Mitchell (Baltimore, MD) began her dance training in her hometown at LeRe’s Performing Arts Center, owned by her mother and father. She attended Baltimore School for the Arts where she trained with Norma Pera and Linda-Denise Fisher-Harrell. Mitchell graduated in 2017 with a BFA in Dance from Point Park University where she worked with choreographers Troy Powell, Garfield Lemonius, and Debbie Allen.

  • Chalvar Monteiro

    Chalvar Monteiro (Montclair, NJ) began training at Sharron Miller’s Academy for the Performing Arts and went on to study at The Ailey School before receiving his BFA in Dance from SUNY Purchase. Monteiro has worked with Sidra Bell Dance New York, Elisa Monte Dance, Keigwin+Company, BODYTRAFFIC, and A.I.M by Kyle Abraham. He assisted Kyle Abraham in setting and creating work for Barnard College, Princeton University, Emory University, NYU Tisch School of the Arts, Alvin Ailey American Dance Theater, and Wendy Whelan’s Restless Creature.

  • Alisha Rena Peek

    ALISHA RENA PEEK (Upper Marlboro, MD), a graduate of the Ailey/Fordham BFA Program in Dance and former member of Ailey II, began her formal dance training at the Washington School of Ballet. Peek attended Kirov Ballet Academy, participated in the Dance Theatre of Harlem Kennedy Center Residency, and studied at The Art of Technique. Professionally, Peek has had the opportunity to work with influential choreographers such as Robert Battle, Hope Boykin, Andrea Miller, Darrell Grand Moultrie, Kirven Douthit-Boyd, Juel D. Lane, and others.

    Alisha Peek
  • Belén Indhira Pereyra

    Belén Indhira Pereyra (Lawrence, MA) began her formal training at Boston Arts Academy, where she graduated as valedictorian, and was a member of NIA Dance Troupe at Pereyra was closely mentored by Earl Mosley and danced with Camille A. Brown & Dancers, during which time she performed at The Joyce Theater, Jacob’s Pillow Dance Festival, and Dancers Responding to AIDS’ annual events Dance from the Heart and The Fire Island Dance Festival.

  • Miranda Quinn

    Miranda Quinn (Baltimore, MD) trained in various genres of dance from the ages of 2 to 18 at Mid-Atlantic Center for the Performing Arts under the artistic direction of Shannon Torres. Quinn graduated from The Juilliard School in 2019 under the newly appointed direction of Alicia Graf Mack. Her attendance at the school was made possible by the Jerome L. Greene Fellowship.

  • Hannah Alissa Richardson

    Hannah Alissa Richardson (Toronto, Ontario Canada) graduated with honors from The Ailey School Certificate Program. Richardson has performed works by choreographers including Ray Mercer, Bradley Shelver, Kirven Douthit-Boyd, Earl Mosley, William Forsythe, and Robert Battle. She has been a featured dancer in festivals including Jacob’s Pillow and the Holland Dance Festival, and had the honor of performing the world premiere of Grace and Mercy choreographed by Ronald K. Brown at Bard’s SummerScape festival.

    Hannah Alissa Richardson
  • Deidre Rogan

    Deidre Rogan (Fort Myers, FL) began her dance training in Fort Myers, Florida under Melinda Roy, Roberto Munoz, and Cheryl Copeland. Rogan graduated with honors from the Ailey/Fordham BFA Program in Dance in 2015. She is a YoungArts scholarship winner, performed as a United States Arts Ambassador for President Barack Obama during the Opening Ceremony of the Hannover Messe, and was the Associate Choreographer under Choreographer Hope Boykin for the City Center Encores Off-Center production of Promenade in 2019. Rogan danced with Ailey II from 2014 to 2016 and with Parsons Dance from 2016 to 2022. This is her first season with the Company.

    Deidre Rogan
  • Kanji Segawa

    Kanji Segawa (Kanagawa, Japan) began his dance training with his mother Erika Akoh, studying ballet with Kan Horiuchi and Ju Horiuchi in Tokyo. In 1997, Segawa came to the U.S. under the Japanese Government Artist Fellowship to train at The Ailey School. He was a member of Ailey II from 2000 to 2002 and Battleworks from 2002 to 2010.

  • Courtney Celeste Spears

    Courtney Celeste Spears (Baltimore, MD), of Bahamian descent, began formal training at the Baltimore School for the Arts under the direction of Norma Pera. She was the 2015 Denise Jefferson Memorial Scholar and graduated summa cum laude with honors from the Ailey/Fordham BFA Program in Dance with degrees in dance and communications. Spears attended summer intensives at The Juilliard School and American Ballet Theatre.

  • Constance Stamatiou

    Constance Stamatiou (Charlotte, NC) began her dance training at Pat Hall’s Dance Unlimited and North Carolina Dance Theatre under the direction of Salvatore Aiello. She graduated from Northwest School of the Arts and studied at SUNY Purchase and as a Fellowship student at The Ailey School. In 2009, Stamatiou received the Leonore Annenberg Fellowship in the performing and visual arts.

  • Christopher Taylor

    Christopher Taylor (Newark, NJ) is a graduate of Arts High School. He began his dance training at age 11 in AileyCamp Newark’s summer program and The Ailey School Junior Division, and later studied as a scholarship student in The Ailey School Professional Division. Taylor was a member of Ailey II for two seasons and has performed at the Apollo Theater, Lincoln Center, and in Ailey’s New York City Center galas. He joined the Company in 2022.

    Christopher Taylor
  • Jermaine Terry

    Jermaine Terry (Washington, D.C.) began dancing at James Dance Center in Kissimmee, Florida. He graduated cum laude with a BFA from the University of South Florida, where he received scholarships for excellence in performance and choreography, and the Distinguished Alumnus Award for outstanding service to the arts.

  • Christopher R. Wilson

    Christopher R. Wilson (Augusta, GA) is a graduate of John S. Davidson Fine Arts Magnet School and graduated cum laude from the Ailey/Fordham BFA Program in Dance. He trained at Colton Ballet School, Alonzo King LINES Ballet, and The School at Jacob’s Pillow. He began his professional career with BHdos, the second company of Ballet Hispánico, and has performed for Queen Sofía of Spain and Princess Beatrix of the Netherlands. 

Staff

Credits & Special Thanks

The Ailey dancers are supported, in part, by:
The Judith McDonough Kaminski Dancer Endowment Fund

Sarah Daley-Perdomo, Caroline T. Dartey, Ashley Kaylynn Green, Michael Jackson, Jr., Yannick Lebrun, Ashley Mayeux, Corrin Rachelle Mitchell, and Chalvar Monteiro photos by Dario Calmese. James Gilmer and Kanji Segawa photos by Michael Jackson, Jr. Xavier Mack, Alisha Rena Peek, Hannah Alissa Richardson, Deidre Rogan, and Christopher Taylor photos by Nir Arieli. Jau’mair Garland photo by Dymond Jewell. Miranda Quinn photo by Gregory Constanzo. All other dancer photos by Andrew Eccles.

Damien Sneed appears courtesy of Washington Performing Arts, which presents Sneed in the Terrace Theater on Friday, February 10, with soprano Jacqueline Echols and baritone Justin Austin. 

Alvin Ailey Dance Foundation Board Of Trustees

Daria L. Wallach, Chairman

Anthony S. Kendall, President

Sela Thompson Collins, Jaishri Kapoor, Stephen J. Meringoff, Arthur J. Mirante II, Vice-Chairmen

Joy Allen-Altimare
Eleanor S. Applewhaite
Robert Battle 
Gunther T. Bright
Laura D. Corb
Robert Kissane
Anthony A. Lewis
Leslie L. Maheras
Lucinda C. Martinez
Jack Pitts
Muhammad Qubbaj
Lata N. Reddy
Bennett Rink
Oti Roberts
Danielle M. Robinson, PhD
Cara Sabin
Joan H. Weill
Edna Kane Williams
DeJuan V. Wilson
Gillian Wynn
Jean-Rene Zetrenne
Pamela D. Zilly

Philip Laskawy, Stanley Plesent, Esq.*, Joan H. Weill, Chairmen Emeriti

Debra L. Lee, Henry McGee, Presidents Emeriti

Gina F. Adams, Simin N. Allison, Anthony M. Carvette, Kathryn C. Chenault, Guido Goldman*, Bruce S. Gordon, John H. Schaefer, Lemar Swinney, Honorary Trustees

*In Memoriam

Alvin Ailey Dance Foundation
Recipient of the National Medal of Arts

Bennett Rink – Executive Director

Pamela Robinson – Chief Financial Officer

Ines Aslan – Chief External Affairs Officer

Alvin Ailey American Dance Theater Staff

Eric D. Wright, General Manager

Isabelle Mezin, Director of Company Business Affairs  

Gregory Stuart, Company Manager

Joseph Anthony Gaito, Technical Director

Kristin Colvin Young, Production Stage Manager

Al Crawford, Lighting Director

Jon Taylor, Wardrobe Supervisor

DJ Adderley, Master Carpenter

David Trudeau, Master Electrician

Rob Byerly, Sound Engineer

Jason Rosenberg, Property Master

Justin Coffman, Assistant Company Manager

Lexie Klasing, Assistant Stage Manager

Yi-Chung Chen, Associate Lighting Director

Abigail May, Associate Lighting Director

Danté Baylor, Wardrobe Assistant

Katie Chihaby, Wardrobe Assistant

Jorge Lanuza, Flyman/Assistant Carpenter

Henry Wilen, Assistant Electrician

Cody Richardson, Assistant Electrician

Amadea Edwards, Contracts and Licensing Manager

Chelsea Gillespie, Production and Licensing Coordinator

Michelle Grazio, Administrator of Company Business Affairs

Selena Andino-Lopez, Production Assistant

Donald J. Rose, M.D., Director of the Harkness

Center for Dance Injuries, NYU Langone Orthopedics

Sheyi Ojofeitimi, DPT, OCS, CFMT, Director of Therapy Services / Health & Safety Advisor

Jessi Patz, PT, DPT, CKTP, Physical Therapist

Dionne Vernon, PT, DPT, PES, MBA, Physical Therapist

Amy Zink, PT, DPT, CSCS, CPI, Physical Therapist

Ronnel Kitt, Physical Therapy Aide

Touring Contact
OPUS 3 ARTISTS
Tel: 212-584-7500
opus3artists.com

Production Credits
Lighting system provided by 4Wall Entertainment.

Touring sound system provided by Gibson Entertainment Services.

Domestic trucking services provided by Stage Call Corporation.

Alvin Ailey is a proud member of Dance/USA, the national service organization for professional dance.

Dancers appear at the courtesy of the American Guild of Musical Artists.

Alvin Ailey crew members belong to the International Alliance of Theatrical Stage Employees.

Ailey Tour Merchandise
Ailey Tour Merchandise and AileyShop.com are managed by The Araca Group  ●  AileyShop.com ●  Alvin Ailey American Dance Theater  ●   The Joan Weill Center for Dance ●  405 West 55th Street, NY, NY  10019-4402   ●  Tel: 212-405-9000  ●  AlvinAiley.org ●  Facebook: @AlvinAileyAmericanDanceTheater  ●  Instagram: @alvinailey  Tiktok: @AlvinAileyOfficial

Kennedy Center Dance Programming Staff

  • Director, Dance Programming
    Jane Raleigh
  • Assistant Manager, Dance Programming
    Malik Burnett
  • Assistant Manager, Dance Programming
    Mallory Miller
  • Senior Press Representative, Non-Classical
    Brittany Laeger
  • Public Relations Coordinator, Non-Classical
    Miles Newton
  • Vice President, Marketing
    Derek Johnson
  • Manager, Marketing
    Chenay Newton

Staff for the Opera House

Theater Manager Guy Jordin Heard*

Box Office Treasurer Holly Longstreth

Head Usher Keith Dunn, Mykal Cox

Head Carpenter Shane Angus

Flyman Richard Page

Assistant Carpenter Robert Palmer

Head Electrician Mark Cohee

Assistant Electrician Erik King

Assistant Electrician Annemarie Mountjoy

Head Audio Dave Crook

Head Props David Mairs

Assistant Props Ben Large

Head Wardrobe George Pires

atpamatpam

*Represented by ATPAM, the Association of Theatrical Press Agents and Managers.

Steinway Piano Gallery is the exclusive area representative of Steinway & Sons and Boston pianos, the official pianos of the Kennedy Center.

iatse 868

The box office at the Kennedy Center is represented by I.A.T.S.E, Local #868.

iatse 22   iatse 772   iatse 798

The technicians at the Kennedy Center are represented by Local #22, Local #772,  and Local #798 I.A.T.S.E., AFL-CIO-CLC, the professional union of theatrical technicians.