LaTasha Barnes’ The Jazz Continuum

Eisenhower Theater

A noted Tradition-Bearer and scholar of Black American Social dance, LaTasha Barnes guides an all-star cast of music and dance explorers through their collective expedition of The Jazz Continuum. This fantastic, never-the-same production will be a specially tailored offering in homage to Barnes’ experiences in the Washington, D.C. region!

Nov. 17 - 18, 2023

  • Fri. Nov. 17, 2023 8p.m.

  • Sat. Nov. 18, 2023 8p.m.

Program

Recognized by the New York Times as “Best of Dance” for 2022 as well as a 2021 “Breakout Star” in dance, LaTasha Barnes is an incredible artist with an even more incredible mission: to be of service to her community and culture, create space and opportunities for like-minded artists to do the same, and re-center the awe-inspiring impact of Jazz music and dance to the fabric of contemporary Street and Club dance culture.

A noted Tradition-Bearer and scholar of Black American Social dance, Barnes guides an all-star cast of music and dance explorers through their collective expedition of The Jazz Continuum. It’s a joyously evocative celebration of the fullness of Black American dance, music, and unapologetic being—with musical direction by Christopher McBride and emceed by brilliant dramaturg Melanie George. The Jazz Continuum transports audiences through the interweavings of Jazz, Lindy Hop, Hip-Hop, House, and many other social dance forms.

This fantastic, never-the-same production will be a specially tailored offering in homage to director LaTasha Barnes’ experiences in the Washington, D.C. region!

The Jazz Continuum was originally commissioned by Works & Process at the Guggenheim and supported by a Works & Process bubble residency in 2021. Barnes was awarded a 2022 National Dance Project production grant and The Joyce Theater commissioned and presented The Jazz Continuum’s indoor stage premiere (Oct., 2022).

LaTasha Barnes’ The Jazz Continuum | Nov. 17 & 18, 2023

LaTasha Barnes’ The Jazz Continuum | Nov. 17 & 18, 2023

Quote

“Her brilliance must be noted”

The New York Times

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