Emily D’Angelo Performs “All for the Blue” from “Grounded” | Washington National Opera
Singer Emily D’Angelo performs an aria from the world premiere opera “Grounded” which is co-produced by Washington National Opera and the Metropolitan Opera.
Washington National Opera
Grounded
Opera House
Fighter-pilot Jess grapples with her own battle: the moral implications and psychological effects of virtual warfare. This world premiere by Jeanine Tesori is based on the award-winning play by George Brant and co-produced with the Metropolitan Opera.
Please be advised that this production contains adult language, mature content, and mentions of violence.
Oct. 28 - Nov. 13, 2023
Genre
Opera
Runtime
2 Hours and 25 Minutes (With a 25-Minute Intermission)
WNO Season Sponsor
A Note To Our Audiences
Adapted from George Brant’s “thought-provoking” (Washington Post), “sharp-eyed” (Time Out New York), and “compelling and provocative” (San Francisco Chronicle) one-woman play, WNO presents the world premiere of Tony Award®–winning composer Jeanine Tesori’s new work, Grounded.
Jess is an accomplished F-16 fighter pilot—until pregnancy grounds her to the “chair force” to target enemies via drones from a trailer in Las Vegas. This new arrangement seems ideal at first: by day, Jess uses her elite training to protect and serve America, and by night, she returns to her family. Ultimately, we see that protecting Jess from physical danger does little to shield her from the psychological trauma of war-by-proxy.
Mezzo-soprano Emily D’Angelo stars as a pilot and mother shaken into a downward spiral as the separation between career and home crumbles. In a first for opera stages, massive LED-screen technology will immerse audiences in the psychological and social implications of virtual warfare, suggesting that “distance” from war through technology is no distance at all.
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Commissioned by the Metropolitan Opera.
Developed by the Metropolitan Opera/Lincoln Center Theater New Works Program.
Music by Jeanine Tesori / Libretto based on the stage play by George Brant
In English with Projected English Titles
Conductor
Director
Commander
composer
Playwright and librettist
Delve deeper as you take a peek inside the composer’s mind, behind the scenes of planning a production, and into the history and social context of the opera.
Free with a Songbird ticket, starting 1 hour before every performance and lasting 25–30 minutes:
Don’t miss your opportunity to engage directly with our artists and share your thoughts on the experience you just had! Here’s your chance to ask questions and get the inside scoop on the production from members of the cast and creative team.
Free with a Songbird ticket, beginning immediately after the performance:
Mar. 11: WNO General Director Timothy O’Leary
Mar. 17: WNO Director of Production Chelsea Dennis
In acknowledgement of and to honor the service members and military communities in and around the Washington, D.C., area, WNO is collaborating with them to further explore the themes of the opera and provide access to resources. These partnerships and engagement events include the following:
Partnership with Stop Soldier Suicide: WNO seeks to support America’s heroes by providing access to mental health resources through its partnership with Stop Soldier Suicide, a national non-profit that seeks to prevent soldier suicide by addressing the underlying issues before they escalate into a crisis. A table of resources, staffed by Kennedy Center volunteers and service members, will be in the lobby before, during intermission, and following each Grounded performance.
Singer Emily D’Angelo performs an aria from the world premiere opera “Grounded” which is co-produced by Washington National Opera and the Metropolitan Opera.
Singer Joseph Dennis performs a song from the world premiere opera “Grounded” which is co-produced by Washington National Opera and the Metropolitan Opera.
Conductor Daniela Candillari answers questions about the music in the new opera “Grounded” in which a fighter-pilot and new mother grapples with the moral implications and psychological effects of virtual warfare.
Playwright and librettist George Brant answers questions about his “thought-provoking” (Washington Post), “sharp-eyed” (Time Out New York), and “compelling and provocative” (San Francisco Chronicle) one-woman play “Grounded” that is now an opera presented by the Washington National Opera.
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